Marie Hector Yvert

Alpine Landscape - White Chalk on Brown Paper by M.H. Yvert - Late 1800

Late 19th Century

Alpine Landscape is an original artwork realized in the second half of the 19th Century by Marie Hector Yvert. Original pencil and white chalk on brown paper. Stamp of Atelier M.H....

Landscape is a drawing in mixed media and pencil and chalk on paper realized by an Anonymous artist of the 20th Century. The State of preservation is very good except with the smal...

Landscape with Trees is an original artwork realized by Georges Henri Tribout in 1935 in Marac. Pencil Drawing, hand signed on the lower margin left and dated "Marac 1935" on the lef...

Temple in the Garden is an original artwork, pencil, watercolor and charcoal on paper. Is not signed and dated but we can attribute the period early 20th Century. It's an evocative...

Landscape with Trees is an original artwork realized by Georges Henri Tribout in 1935 in Marac. Pencil Drawing, hand signed on the lower right margin and dated "Marac 1935". Good Co...

Landscape is an original drawing in Pencil on paper realized by an anonymous artist in the early 20th Century. Good Conditions but aged. The artwork is depicted through free strok...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is dominated by...

JÓZEF PANFIL (born in 1958) He graduated from PWSSP in 1984. In 1987 he received a grant from the Department of Culture and Arts. He won several prizes, e...

Entrance to the temple at Klungkung, Bali, 1925 With studio seal at the reverse, dated and described, bottom left Black chalk on paper, 53 x 46.5 cm In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches...