Michael Schlicting

'Breaking Waves', National Watercolor Society, American Watercolor Society

Circa 1980

Signed lower left, 'Denis Paul Noyer' (French, b. 1940) and created circa 1975. An exceptionally finely-detailed, silver point and colored pencil drawing showing a view of a Parisia...

Signed lower center, 'B. Metcalf'; additionally signed verso and painted circa 1975. An idyllic tropical landscape showing palm trees and scarlet bougainvillea in the foreground wit...

Signed lower right, 'Henry Volle' (American, 20th century) and painted circa 1975. A substantial and lyrically painted watercolor view of the original Spanish colonial church and mission buildings at Carmel on the coast of California with a view beyond towards the Carmel highlands. Henry "Hank" Volle first attended the University of Illinois and subsequently studied in Europe, including at the Klinger Institute, Vienna. Upon returning to the United States, Volle began to study with the water-colorists of the California Bay area. Essentially a plein-air painter, Hank Volle painted along the California coast where he exhibited with success. He was also a member of the Santa Clara Watercolor Society and the Society of Western Artists.

Signed lower right, 'Beverly Fields' (American, 20th century) and painted circa 1985. This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...

Signed lower right, 'Beverly Fields' (American, 20th century) and dated 1988. Accompanied by a copy of the artist's poster from the same series. This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...

Signed lower right 'Henry Ottmann' (French, 1877-1927) and dated 1922. A softly painted view of a small village in Provence with rain clouds hanging above the hills and terracotta r...

La Baie des Anges a Nice et le Casino is a lovely gouache on paper from 1928. The work is fully authenticated by Fanny Guillon-Laffaille and is listed in the Raoul Dufy Catalogue Rai...

Original watercolor and gouache on archival paper of birch trees in winter along a fenced roadway with a quaint home in the background. Signed lower right. Condition is excellent. Circa 1960. The watercolor is in a solid mahogany frame under UV glass in fine condition. Overall framed measurements are 14 by 11 inches. Provenance: A East Hampton, Long Island, New York collector. Born in Queens, Long Island, NY, Impressionist landscape and seascape painter Francis Dixon studied at the Art Students League in New York City under Impressionists Frank Vincent DuMond, Cape Cod, Massachusetts artist, Charles W. Hawthorne, and modernist Robert Henri. Having a good singing voice Dixon was an Army and Navy Song Leader for the War Department during World War I. From 1915 to 1917 was living and painting in Los Angeles, Carmel and Point Lobos, California. Dixon exhibited his California paintings at Folson Galleries New York City in 1917. Dixon continued to travel and paint, visiting Bermuda in 1923 and 1925, and Europe in the mid-1920s. In the 1930s he was living on West 55th Street in Manhattan with a number of other artists. He was a member of the Allied Artists of America (NY); Connecticut Academy of Fine Arts; and the Salmagundi Club, NY. He exhibited at The Corcoran Gallery of Art, Washington, D.C. (1916); Folson Gallery (NY, 1917, solo); Society of Independent Artists (NYC, 1917-18, 1920-22, 1924); Salmagundi Club (NYC, 1917-1940, 1943, 1945); National Academy of Design (NYC, 1925); Studio Guild Galleries (NYC, 1937); Barbizon-Plaza Galleries NYC, 1939); Allied Artists of America (NYC, 1940); and Salons of America (NYC). Dixon’s solo exhibitions included Babcock Galleries (NYC, 1926 and 1927); Women's University Club...

Here for your consideration is a well executed watercolor and gouache painting by the American artist, James Milton Sessions. Signed lower right. Circa 1955. The landscape is of a Novia Scotia pastoral landscape. Here you see horses grazing and two men fishing nearby. The watercolor is in excellent original condition and is beautifully double matted and framed in a thin gold leaf gallery frame in fine condition. Overall framed measurement 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...

Here for your consideration is a well executed watercolor and gouache painting on archival paper of a smoke house in Duck Cove, Maine. A flock of white geese are seen in the foreground. Signed lower left. Circa 1955. In excellent original condition. The artwork is housed in a thin custom gold leaf frame and is double mated. Condition of frame is also excellent. Overall framed measurements are 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...

ROBERTO DOMINGO FALLOLA Spanish, 1883 - 1956 AT THE LONGCHAMP RACES signed and located "R. Domingo, París" (upper right) gouache on paper 10-1/2 x 13-1/4 inches ( 26.5 x 33.4 cm.) f...

An English Post Impressionist gouache of trees in a landscape by noted artist Bernard Meninsky. The painting is signed bottom right and presented in a very fine custom patinated and gilt frame with cloth insert, under glass. There is an exhibition label to the back of the frame, giving the painting's location 'Cookham Dean' in Berkshire near the home of noted contemporary of Meninsky, Stanley Spencer. Provenance: The Boydell Galleries, Liverpool. A charming work when Meninsky was clearly showing the influence and his love for the paintings of Cezanne. The simplification of forms, as well as the flattening of landscape and the use of colour to give perspective. An earlier work by Meninsky but important in his artistic journey to his evolving style. Bernard Meninsky (25 July 1891–12 February 1950) was a British painter of figures and landscapes in oils, watercolour and gouache, a draughtsman and a teacher. Meninsky was born in Konotop, modern-day Ukraine, where his father was a tailor and the family were Yiddish-speaking Ukrainian Jews. They moved to Liverpool when Bernard was six weeks old. Although Meninsky left school at the age of eleven, his talent for art was demonstrated by the sale of a drawing to a local comic postcard business. While working as an errand boy during the day, he attended free classes in art in the evenings, and these enabled him to gain a place at the Liverpool School of Art. He studied there from 1906 to 1911, being financed by a succession of scholarships. He attended summer courses at the Royal College of Art, London, in August 1909 and August 1910, and in 1911 he won a scholarship to study at the Académie Julian in Paris for three months. With financial support from the Liverpool Jewish community and the Jewish Educational Aid Society (JEAS), Meninsky studied at the Slade School of Fine Art in London in 1912. His contemporaries there included David Bomberg, Isaac Rosenberg...