Oskar Bergman

Miniature Landscape Called Birch Trees Reflected in a Stream by Oskar Bergman

c. 1905-1915

This watercolor by Robert Thegerström, a Swedish painter, draftsman, and graphic artist, captures a serene winter scene from 1908. The artwork presents a frozen lake bathed in warm s...

Hilding Werner (1880-1944) Sweden 

Barns Buildings at Ruds Säteri, 1900

 watercolor on paper
unframed 21.5 x 31 cm (8.46 x 12.2 inches)
 framed 22 x 40 cm (8.66 x 15.75 inches)
 ...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

Helmer Osslund was a renowned Swedish artist known for his expressionist landscape paintings that captured the raw and natural beauty of Sweden. We are delighted to offer for sale a ...

Hilding Werner (1880-1944) Sweden Stormy Day in Finnskogen, 1906 (Swedish title: Ovädersdag i Finnskogen, 1906) ink drawing unframed: 12 x 15 cm (4.72 x 5.91 inches) framed: 22 x 2...

Frants Henningsen (1850-1908) Denmark A Summer's Day on Hornbæk Beach, 1886 pastel on canvas unframed 41 x 33 cm (16.14 x 12.99 inches) framed 56 x 49 cm (22.05 x 19.29 inches) hand made oak frame by Stockholms Bildhuggeri Provenance: A Swedish private collection Comparable sales: Christie's London British and European Art, 15 jul 2021 Lot 130, Frants Henningsen - A Summer's Day on Hornbæk Beach 1884 Price realised 43,750 GBP (605,000 SEK) Essay: We are pleased to present a striking pastel by the Danish artist, Frants Henningsen (1850-1908), titled "A Summer's Day on Hornbæk Beach" dated 1886. The scene is from Hornbæk Beach in Denmark, featuring a beach with some pooled water, a few green grass plants, followed by the sea with sailboats, and land visible on the horizon. The water reflection in the puddle on the beach and in the sea is exceptionally beautiful, reflecting the sky, which has a few clouds. This is a motif that the artist revisited several times during the 1880s, including a larger oil painting executed in 1884, sold at Christie's in 2021, and another one from 1883 in the museum collection: The Hirschsprung Collection, Copenhagen. Our pastel is undoubtedly the brightest of those we could find; it is strikingly beautiful and in exceptionally good condition. The artwork comes in a beautiful handmade oak gold frame by Stockholms Bildhuggeri. About Frants Henningsen: Frants Peter Diderik Henningsen was a Danish painter, illustrator, and professor. His paintings often depict unfortunate occurrences in the lives of middle-class people living in Copenhagen during challenging times. Although connected with Denmark's more traditional realist school, he faced criticism from some of his more reactionary contemporaries, especially Karl Madsen, who objected to his appointment as a professor at the Academy in 1887. Erik Henningsen, also an artist, was his younger brother. Henningsen graduated from Borgerdyd School in Christianshavn, attended C.V. Nielsen's drawing school, and then completed his studies at the Danish Academy in 1875. He studied at Léon Bonnat's school in Paris from 1877 to 1878 and traveled to Spain with Peder Severin Krøyer, Frans Schwartz...

This piece titled "Outside, In" is an original artwork by Ash Limés Castellana and is made of gouache, watercolor, and pastel. This piece measures 8”h x 8”w framed. Founded in 1997...

This framed and matted 17" x 20.75" watercolor painting by Hubert John Williams depicts a stone bridge over a river. On the left side of the bridge is green foliage along the river's...

"Mill Near Plainfield, New Hampshire" is an original, signed watercolor painting by artist Charles Partridge Adams (1858-1942), circa 1900. Singed by the artist in the lower left corner. Portrays a mill along a river with trees and clouds, painted in shades of brown, green, gray, and blue. Presented in a custom frame, outer dimensions measure 13 ¾ x 12 ¼ x 1 ¼ inches. Image size is 7 x 5 inches. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born Massachusetts, 1858 Died 1942 Born in Franklin, Massachusetts, Charles Partridge Adams moved with his mother and two sisters to Denver, Colorado, in 1876 in an effort to cure the two girls who suffered from tuberculosis. In Denver, Adams found work at the Chain and Hardy Bookstore. He received his first, and only, art training from the owner's wife, Helen Chain. Mrs. Chain, a former pupil of George Inness, provided instruction and encouragement to the young artist and introduced him to other artists in the area including Alexander Phimister Proctor...

Colorado mountain landscape watercolor painting signed by artist Rita Derjue (1934-2020) depicts Cabins in the Snow in bright tones of blue, yellow, green and red/brown. Signed by the artist in the lower right corner. Presented in a custom frame with archival materials, outer dimensions measure 24 ⅛ x 31 ½ x 1 ¼ inches. Image sight size is 14 ½ x 21 ½ inches. About the Artist: Born Rhode Island, 1934 Artist, educator, mentor and community activist, Derjue is the daughter of European parents whose family members had previous connections with New York and New England. Her drawing talent as a youngster in Rhode Island caught the attention of family friend Johann Groen, a Dutch-born painter and photographer, who encouraged her to spend time touring and studying in Europe to further her art education. In 1956 she earned her Bachelor of Fine Arts degree at the Rhode Island School of Design that emphasized the fundamentals of drawing and design. Her most memorable teacher was Richard Hamilton, whose work was influenced by German Expressionist Max Beckmann and the jazz greats. Her studies from nature and Cubist compositions done at that time reflect her interest in early twentieth-century European modernist painting. She had the opportunity to experience it firsthand during a year of post-graduate work at the renowned Akademie den Bildenden Kunste in Munich, Germany, in 1956-57. She studied with Ernest Geitlinger (1895-1972) whom the Nazi government classified as a “degenerate” artist in the 1930s, preventing him from exhibiting in Germany. After World War II he was one of the co-founders of the Munich artists’ association, Neue Gruppe, in 1946 and played an important role in abstract painting. While studying with him in Munich she produced a number of canvases in a referential abstract style. She also became acquainted with the Blaue Reiter group that flourished in the early twentieth century and whose expressionism strongly influenced her color palette and painting style. She particularly admired the work of Blaue Reiter co-founder and Wassily Kandinsky’s long-time partner, Gabriele Münter, whose work she studied at the Lenbachhaus in Munich and at the Gabriele Münter Haus and the Schlossmuseum in Murnau south of Munich. Derjue’s immersion in German Expressionism imparted a bold, simplified style to her work. In 1958 with a friend from Munich she went to Mexico for a year, studying with artist Frank Gonzalez in his studio in San Angel, Mexico City, and with Canadian artist, Toni Onley, in San Miguel de Allende. Onley had recently won a scholarship to the Instituto Allende to study mural and fresco painting with David Siqueiros, one of the three greats of Mexican muralism. At the Instituto Onley began painting large black-and-white canvases in an abstract impressionistic style which he imparted to Derjue, who thereafter began exploring color and space in the dimensions of her own large compositions. With writer Gregory Strong, he subsequently published Onley’s Arctic and his autobiography, The Tony Onley Story. After returning to the United States, she worked as a graphic designer for Little, Brown and Company, publishers in Boston. She began dating her future husband, Carle Zimmerman, whom she met earlier in Europe and whom she married in 1960. Joining him at Cornell University where he was completing his Ph.D degree, she earned her Master of Arts degree at the same institution and participated in group shows at the Herbert F. Johnson Museum and the Munson-Williams-Proctor Arts Institute in upstate New York. In 1963 Derjue and her husband relocated to Littleton, Colorado, where he spent his entire career, first as a research engineer and later as a departmental manager for the Marathon Oil...

The Green Wind by Rosie Phipps [2022] The Green Wind is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expressive use ...

Joy by Rosie Phipps [2022] Joy is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expressive use of mark making to crea...