Rowland Hilder

Kent Landscape

Watercolour with touches of bodycolour on buff paper, signed lower middle and inscribed and dated '1839' lower left Image size: 8 1/2 x 12 1/4 inches (22 x 31 cm) Acid free mount and period style gilt frame This original watercolour by Roberts depicts the temple at Baalbek with the ruined palace behind, seen from the opposite bank of a brook, where a group of figures are seated and kneeling around a table, with an arched bridge nearby. David Roberts was the first professional British artist to travel independently to the Middle East in 1838. He was the first British artist to draw the ruins of Ancient Egypt and Roberts produced a series of finished watercolours, including the painting, which he had worked up from sketches made during his tour. Like many British artists he used the familiar visual language of European landscapes to capture the unfamiliar scenery. By using architectural motifs to provide structure to compositions like this he is able to present a dramatic scene of classical grandeur, illuminated by sunlight complemented by a large area of shade in the foreground. The dramatic scene is enhanced by the three groups of figures, which convey the sense of scale. The figures also give the picture richer, darker and redder tones that contrast with the sandy colours of the architecture. This painting uses a lot of the essential ingredients that make up a picturesque scene: distant mountains, classical ruins and figures for human interest and to convey motion. Robert's Trip to Baalbek David Roberts visited Baalbek near the end of his travels around Egypt and the Middle East. Roberts and his party rode to the site of Baalbek on 2nd May in a heavy-rain storm. He was miserable, totally drenched and feverish. But the sight of the ancient Roman settlement rallied him. Despite his physical debilitation, 'I was... so much struck with the magnificence of the temple, that I could not resist visiting and examining it'. The storm then continued through the night, pummelling the traveller's tents. In the morning, Roberts felt extremely ill and sought the help of a Greek priest, who found him dry shelter in a cowshed. For the first time on his gruelling journey, Roberts devoted the whole day to bed rest. On May 4th, regaining some strength, Roberts explored the site. With obscure origins connected with the god Baal, the city of Baalbek had grown to importance in Hellenistic times, when it was known as Heliopolis ('The City of the Sun'). In the first century B.C. the Romans had established a cult of the Heliopolitan Jupiter there, and both Josephus Flavius...

Gouache on board, signed lower right and titled bottom left Image size: 20 1/2 x 18 inches (52 x 46 cm) Art Deco frame Designed in 1907 for W.D & H.O Wills, advertising Capstan Navy Cut Tobacco & Cigarettes. The text that accompanied this painting on the original poster read 'Capstan Navy Cut, Tobacco and Cigarettes in three grades of Strength'. This original artwork features a young boy and sailor stood together on a pebbly English beach. The boy stands to attention with a toy gun...

F.R.P. 20th Century HAY BARNS Watercolour, signed with initials lower right Image size: 9 ¾ x 13 ¾ inches (25 x 35 cm)

HAZEL BRUCE DUNLOP Flourished: 1935-1940 GREEN LINE Gouache Image size: 20 × 13 inches (51 × 33 cm) Provenance Commissioned by Green Line 1938 Private Collection Green Line was part of London Transport running coach services to towns and villages outside of London. Hazel Bruce Dunlop mainly painted portraits.She was born in Borneo and studied at the Slade School of Fine Art with Henry Tonks, Philip Wilson Steer and Randolph Schwabe...

British School 19th Century View across a lake Watercolour, monogrammed & dated ’02’ lower right Image size: 11 3⁄4 x 17 3⁄4 inches Framed This ethereal landscape certainly draws upon the nineteenth century European Romantic tradition. The cool palette of blues, silvers and whites creates a sense of wonderment, together with an atmosphere of solitude and journey’s end. At first glance the scene is rather surreal, but the presence of a dry-stone wall and iron railings in the foreground familiarises the landscape. THIS WORK IS PART OF OUR CURRENT EXHIBITION 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' CURRENTLY SHOWING AT DARNLEY FINE ART...

BRITISH SCHOOL 19th Century STIRLING CASTLE Watercolour, signed lower right Image size: 12 x 10 inches (30 x 25.5 cm)

Roger Bonafe (French b. 1932) signed watercolour on thick art paper, inscribed verso Size 30 x 22.5 inches Bonafe was born in the town of Caux (Herault) in Southern France in 1...

A particularly fine watercolour by the listed British artist Frederick E Valter. The scene depicts a drover on his way to market with four horned cattle. The sky suggests early morni...

A delightful watercolour scene depicting a French market square with a cafe before a cathedral. The cafe name 'Cae du Commerce' is plastered to the building wedged between other stor...

An atmospheric watercolour painting by armature artist and civil engineer, William Westhofen. The scene depicts a dramatic winter sunset near Swellendam...

This exquisite eastern watercolour depicts a native cattle farmer, leading his two haltered oxen to feed in a barren desert landscape. The painting has been signed and dated to the l...

A charming watercolour study depicting men and a camel on the bank of the river Nile. To the other side of the river the pyramids can be seen in the distance. Signed to the lower lef...