Unknown

Lake landscape – Swiss School early 19th century

circa 1815

An early Devonshire landscape, ex-collection West Collection of British Watercolors & the Fine Art Society, London. Circa 1800 Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (...

Graphite and crayon in color with white heightening on cream wove paper, 13 1/2 x 12 1/4 inches (343 x 310 mm) (sheet). In good condition with uniform toning, handling creases, and lightly dog-eared corners. The building on the left is a hotel particulier in Paris' Marais neighborhood, the Hôtel Salé, which now houses the Musée Picasso.

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...

A bright and beautiful Orientalist landscape by a master of the genre. Watercolor and graphite on cream laid paper, laid down to archival board, 14 3/4 x 6 3/4 inches (374 x 170 m...

This charming landscape features the structure now known as the Worplesdon Place Hotel, near Guildford, Surrey. The house is of notable historical significance, and it is registered ...

Pen and ink and watercolor on mid-weight, cream wove paper, 8 3/4 x 12 1/4 inches (222 x 312 mm). Scattered light wear along the sheet perimeter, as well as a dog-eared lower right c...

Signed lower left, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'Ability of the Working Classes to Enjoy Meals Under Humble Surroundings'. ...

Signed lower right, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'The Enduring Attractions of the Open Market'. Matted Dimensions: 16 x 20

A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY. Housed in a contemporary frame presentation this unique work ...

An original contemporary painting by American contemporary female artist Amanda Besl. Besl uses chemistry to create rust and copper inks. Wholesale framing is available. Througho...

An original contemporary graphite drawing by American contemporary female artist Amanda Besl. Diana's Field 2, 2018 Graphite on paper 34 × 24 in 86.4 × 61 cm This work was created ...

This drawing by Frank Girard is created with pigments, Chinese ink, watercolors, acrylic, and colored pencils on 300g/m2 neutral white paper. It is not framed. Through drawings, the...