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By LMS to Buxton Original Railway Travel Poster Artwork Gouache 20th Century

Watercolour and gouache on paper, dated '1927' and signed lower left Image size: 12 1/2 x 19 3/8 inches (31.75 x 49.25 cm) Mounted and framed Provenance The Collection of Jill and J...

Gordon Haslam Early 20th Century English School The Moat at Scarborough Castle Gouache on board, signed and dated 1923 Image size: 13 1/2 x 17 1/2 inches (34 x 44.5 cm) Contemporary...

Frederick Donald Blake RI, RMSI 1908–1997 Gorleston on Sea, Norfolk Gouache, signed lower right Image size: 6 x 16¼ inches (15 x 41 cm) Hand made gilt frame

Frank Henry Mason 1875 – 1965 Steamship in Asia Gouache on paper Image size: 8 x 15 inches Acid free mount and hand made gilt frame Original artwork for a carriage print for steam...

Leonard Cusden British Flourished: 1920 - 1950 Somerset Gouache, signed lower right Image size: 17 ¾ x 27 inches Contemporary oak gilt frame This is the original painting used for the cover of the first edition for the novel "Someret" by Maxwell Fraser, published by The Great Western Railway...

English School 20th Century Lakes Gouache, initialled lower left Image size: 20 x 14 inches Framed

Singed (at lower left): Jane Peterson

Charles Burchfield 1893-1967 Trilliums and Rock Ledge, 1919 Gouache and watercolor on paper Provenance: The artist until at least 1963 Private collection, New York Private Collectio...

Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

La Baie des Anges a Nice et le Casino is a lovely gouache on paper from 1928. The work is fully authenticated by Fanny Guillon-Laffaille and is listed in the Raoul Dufy Catalogue Rai...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...