Louis OsmanAgatha Christie's stables architectural design by Louis Osman FRIBA
About the Item
- Creator:Louis Osman (1914 - 1996, British)
- Dimensions:Height: 16.15 in (41 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Generally very good.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795312972182
Louis Osman
Louis Osman was born on January 30, 1914, in Exeter. He was an architect, artist, goldsmith, silversmith and medallist. Very few people matched his creations as a goldsmith and consequently, Osman was chosen to make the crown for the investiture of the Prince of Wales in 1969. Many of his other works are in public collections in the UK and worldwide. After Hele's School in Exeter, he studied at the Bartlett School of Architecture which was part of University College London, in 1931. Osman later attended the Slade School of Art and he left the Bartlett and was awarded the top first and won the Donaldson Medal of the Royal Institute of British Architects. Subsequently, he trained with Sir Albert Richardson. Serving during the Second World War as a Major in the Intelligence Corps, Osman was a specialist in Air Photography and served on the Beach Reconnaissance Committee before the June 1944 Normandy landings. Following the war, he was busy as an architect and worked for Westminster Abbey, Lincoln, Exeter, Ely and Lichfield Cathedrals. During the 1970s, Osman and his wife lived at Canons Ashby House in Northamptonshire, which was given to the National Trust in 1981 when he was not able to keep the tenancy any longer. At Canons Ashby, he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1974, he created an exhibition celebrated by a lavishly illustrated catalog. Osman's 1969 crown for the investiture of the Prince of Wales was on display, together with many other items of his creation and also by other silversmiths such as Malcolm Appleby, Philip Noakes and Stephen Nunn and also acknowledging the work of Desmond Clen-Murphy, Peter Musgrove and Chris Philipson in his works. In 1976, he made the gold enameled casket that holds a copy of the Magna Carta on view in the United States Capitol, Washington, DC. Osman died on April 11, 1996.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Cinema: The Telecinema architectural drawing Festival of Britain TelekinemaBy Derek WicrowLocated in London, GBTo see our other views of London, or our other architectural drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Derek Wicrow (British, 20th Century) The Telecinema – Telekinema – National Film Theatre Southbank (1957) Pencil drawing, squared for transfer. 40x51cm The Telecinema was built for the 1951 Festival of Britain...Category
1950s Modern Landscape Drawings and Watercolors
MaterialsPencil
- D.L Hadden Design for Executive Desks Geo.M.Hammer 1959 Watercolour and PencilBy Donald L. HaddenLocated in London, GBOne of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. D.L Hadden (British, 20th Century) Design for Executive Desks for Geo. M. Hammer Watercolour and pencil 41x51cm Signed and dated 1959 Two beautifully detailed executive desks designs with sketches front elevations. Hadden's flair with woodwork design is evident in this drawing. Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture. Their lift-top school desks are particularly well regarded, and always carried their brass name plate. Hammer were renowned for their interior woodwork, they were commissioned to undertake the choir stalls in Sir Basil Spence...Category
1950s Modern Interior Drawings and Watercolors
MaterialsPencil, Watercolor
- Laigueglia Holiday Brochure Design 1966 Peter Collins ARCA Mid Century ModernBy Peter Collins ARCALocated in London, GBTo see our other Modern British Art, and our other Peter Collins Holiday Brochures from Majorca, Lloret and other resorts, scroll down to "More from this Seller" and below it click o...Category
1960s Modern Landscape Drawings and Watercolors
MaterialsCarbon Pencil, Mixed Media
- Laigueglia 9 Holiday Brochure Design 1966 Peter Collins ARCA Mid Century ModernBy Peter Collins ARCALocated in London, GBTo see our other Modern British Art, and our other Peter Collins Holiday Brochures from Majorca, Lloret and other resorts, scroll down to "More from this Seller" and below it click o...Category
1960s Modern Landscape Drawings and Watercolors
MaterialsCarbon Pencil, Mixed Media
- Peter Collins ARCA Design Holiday Brochure 1966 Laigueglia Mid Century ModernBy Peter Collins ARCALocated in London, GBTo see our other Modern British Art, and our other Peter Collins Holiday Brochures from Majorca, Lloret and other resorts, scroll down to "More from this Seller" and below it click o...Category
1960s Modern Landscape Drawings and Watercolors
MaterialsCarbon Pencil, Mixed Media
- Laigueglia 5 Holiday Brochure Design 1966 Peter Collins ARCA Mid Century ModernBy Peter Collins ARCALocated in London, GBTo see our other Modern British Art, and our other Peter Collins Holiday Brochures from Majorca, Lloret and other resorts, scroll down to "More from this Seller" and below it click o...Category
1960s Modern Landscape Drawings and Watercolors
MaterialsCarbon Pencil, Mixed Media
- Two Wood Ducks on a Flowering BranchBy Joseph StellaLocated in New York, NYJoseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...Category
20th Century American Modern Still-life Drawings and Watercolors
MaterialsColor Pencil
- UntitledBy Charles Houghton HowardLocated in New York, NYCharles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His fat...Category
20th Century American Modern Abstract Drawings and Watercolors
MaterialsPaper, Gouache, Graphite
- UntitledBy Charles Houghton HowardLocated in New York, NYCharles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His fat...Category
20th Century American Modern Abstract Drawings and Watercolors
MaterialsPaper, Watercolor, Gouache, Graphite
- Le SentierBy Paul CézanneLocated in London, GBPaul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325Category
1890s Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Pencil
- Pablo Picasso Drawing 'Nu couché endormi' Graphite Drawing 1954By Pablo PicassoLocated in Miami, FLDrawn in 1954 by Picasso, this fine piece of work is a recognizable mark of his unique style. 'Nu couché endormi' is executed in graphite on cream wove paper. It is dated 28.2.54 and...Category
1950s Modern Abstract Drawings and Watercolors
MaterialsPaper, Pencil
- Woman On Bicycle - Drawing by Adolphe Léon Willette - 1890sLocated in Roma, ITWoman On Bicycle is a Blue Pencil Drawing realized by Adolphe Léon Willette in 1890s. Good condition on a yellowed paper. Monogrammed, included a wh...Category
1890s Modern Figurative Drawings and Watercolors
MaterialsColor Pencil