John R. Grabach

Muscular Black Male Nude Academic Life Drawing in Charcoal

1950 circa

This is a masterfully observed and rendered black make nude by an academician and fine artist. John R. Grabach has a long and distinguished career depicting gritty, social realism works depicting the urban working-class. His fundamental skills come as a result of his studying at the Art Students League with Frank V. DuMond, and George Bridgman. This work "black male nude...

This powerful Cubist male nude is rendered in long uninterrupted bold black strokes that draw our gaze like a magnet. Mercedes Matter was a female ar...

Two Women by George Tooker is a psychologically engaging portrait of contrasts. An untidy, older, overweight woman is seen slumped in a chair, asleep and lost in a dream. Her head ti...

Study of a sultry and seductive reclining platinum blond Pin Up with a wide-brimmed sun hat. Most likely done for Playboy. This work is very finely rendered and looks better the ...

The key element to this work is that it is much larger that most of the other works on paper by Lachaise and somewhat more delineated and refined . The figure exudes sexuality has a...

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Landscape is an original drawing artwork in mixed media on cardboard, oil pastel and charcoal, realized by Sun Jingyuan in 1970. The state of preservation is very good. Sheet dimens...

Landscape is an original drawing artwork in mixed media on cardboard (oil pastel and charcoal), realized by Sun Jingyuan in 1970. The state of preservatio...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

Charcoal on paper, 56cm x 38cm, (79cm x 60cm framed). Provenance: The Artist’s sister. From the mid-1940s to the early 1950s Colquhoun was considered one of the leading artists of his generation. Along with that of Robert MacBryde, another artist and Colquhoun’s partner, his work was regularly shown at the Lefevre Gallery in London. This early work is likely to be a drawing from when Colquhoun was at the Glasgow School of Art in the 1930s. Known as the ‘Two Roberts’, Colquhoun and MacBryde met at the Glasgow School of Art in 1932 and lived together until Colquhoun’s death in 1962. The pair also exhibited in several group shows at the Lefevre Gallery, including one in February 1946, alongside Ben Nicholson, Graham Sutherland, Bacon and Freud. Works were bought by the Arts Council, the British Council, the Contemporary Art Society and the Imperial War Museum. Major art patrons added their work to their collections, including Sir Kenneth Clark...

Charcoal on paper, signed (verso), and signed and dated ‘20th July 1878’, by R.A invigilator, E.B. Stephen A.R.A. (bottom left), 73cm x 46cm, (88cm x 60cm framed). The work is framed...