Mary Ingebrand-Pohlad

Untitled (Seated Nude)

2015

Standing Female Nude Ink on paper Signed by the artist with his initials lower left "AB" Related to numerous drawings of the same model illustrate...

Female Nude (Double-sided drawing) Recto: Reclining Nude Verso: Seated Nude Signed in pencil lower right, recto (see photo) Pen and ink with colored chalk, c. 1925 Condition: Repaire...

Seated Nude Match Stick ink drawing, c. 1925 Signed by the artist in pencil lower right: A. Biehle Created at the Kakoon Arts Club, Cleveland. Influenced by friend and fellow artist...

Nude in a Mirror Ink and wash on paper, n.d. Signed in red ink lower right (see photo) Illustrated: Elliott & Wooden, page 153, a monograph on the artist's drawings Note: a cop...

Nude on a Stool Ink on paper, c. 1970-80 Signed in red ink lower right Illustrated: Elliott & Wooden, page 232 A copy of this hardbound books accompanies purchase Condition: Excell...

Nude Reclining on a Mat Ink on paper, n.d. Signed in red ink lower right Same model used in Elliott & Wooden pages 198 and 199 Condition: Excellent Provenance: Estate of the Artist Warren Shaull, Dodge City, KS (collector's stamp verso) Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

Martin Eder untitled work on paper executed in ballpoint pen with traces of watercolor. Ohne Titel Arbeit auf Papier, ausgeführt in Kugelschreiber mit Spuren von Aquarell. 2007

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Ink drawing of female nude lounging on the floor. This is 1 of 2 drawings of Chantel I created during a figure drawing session I attended during my MFA at SVA. Chantel is a dear fri...

Ink drawing of female nude lounging on her stomach with her legs up. This is 1 of 3 drawings of Laurel I created during a figure drawing session I attended during my MFA at SVA. It ...