Herbert Johnson Harvey

Reverie - Early 20th Century British chalk drawing of a girl by H J Harvey

1909

HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

HERBERT WILSON FOSTER (1846-1929) Summer Inscribed with title beneath the mount Chalk, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

REX JOHN WHISTLER (British 1905-1944) The Plain Gangster Inscribed with title Pen, brush and ink Framed 20 by 16.5 cm., 8 by 10 ½ in. (frame size 39 b...

NEVILLE HICKMAN (20th Century) Monument to Denzil Holles, Dorchester Signed, inscribed and dated: Holles Monument, St Peter’s Church, Dorchester, 16 April 1958. Chalks heightened ...

FRANK LEWIS EMANUEL (1865-1948) Portrait of Archibald Hartrick Signed, inscribed and dated l.l.: A S HARTRICK (artist) by F L EMANUEL 1884 Black chalk heightened with white chalk on blue paper...

CAROLYN SERGEANT (1937-2018) Girl Reading Pencil and black chalk, heightened with white, unframed 40.5 by 28 cm., 16 by 11 in. (mount size 57 by 43 cm., 22 ½ by 17 in.) Carolyn Cann studied at Wimbledon School of Art (1955-59) and at the Royal Academy Schools (1959-62) where she was a Silver Medallist. At the Royal Academy Schools she met and later married her fellow student, John Sergeant. She had several one-man exhibitions in London, at the Fine Art Society, Colnaghi, Hazlitt, Gooden & Fox, the Waterhouse Gallery and Waterman Gallery. She also showed at the Leicester Galleries, Roland, Browse and Delbanco and elsewhere. In 1983 John and Carolyn bought an old run down farm house near Builth Wells in Powys, mid Wales. The house needed such extensive renovation that it took many years to complete. After their two sons...

Charcoal with red and white conté crayon on Rives BFK paper Signed in pencil, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt L...

Conté crayon on paper Signed, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. His works ...

Pastel and conté crayon with partial foil star on Rives BFK paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in ...

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...