Joseph StellaMiddle Eastern Man with Turban and Blue Cloak in Profile against Yellow1944
1944
About the Item
- Creator:Joseph Stella (1877-1946, American, Italian)
- Creation Year:1944
- Dimensions:Height: 28 in (71.12 cm)Width: 21 in (53.34 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall good condition. There are some minor surface issue in the blue that may be from the hand of the artist who was retuning to rework the art. Done on heavy semi-gloss paper. Some minor bowing. Otherwise presents very well.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38539591262
Joseph Stella
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Lucano, a small town in the southern Apennines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals.
Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp.
Stella was 19 when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133).
(Biography provided by Hirschl & Adler)
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Tippie Comic Strip Original Art - Female CartoonistLocated in Miami, FLAn early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...Category
1920s Conceptual Figurative Drawings and Watercolors
MaterialsInk, Color Pencil, Graphite
- Surprised Woman with Cactus 1920s Female IllustratorBy Susan FlintLocated in Miami, FLThe postman's delivery of a limp cactus creates a big emotional response the female recipient. Most likely an interior illustration for a newsstand magazine. Signed lower right Sus...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsPaper, Graphite
- Circus girl recliningBy Walt KuhnLocated in Miami, FLSigned and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .Category
1920s Modern Figurative Drawings and Watercolors
MaterialsCarbon Pencil
- Mid- Century Fashion Illustration - Neiman Marcus ?By Marjorie UllbergLocated in Miami, FL1950's elegant fashion models pose depicted for a designer clothing line for a major San Francisco department store - Perhaps Neiman Marcus. Estate ...Category
1950s Modern Figurative Drawings and Watercolors
MaterialsWatercolor, Pencil
- Lord Lithgow, Time magazine cover, March 16, 1942By Ernest Hamlin BakerLocated in Miami, FLLord Lithgow, Time magazine cover, March 16, 1942 matted to 17.75 x 16.75 inches. Not framed. Pencil on paperCategory
1940s Realist Portrait Drawings and Watercolors
MaterialsPaper, Pencil
- "Julius Caesar" original art for Penguin book coverBy Milton GlaserLocated in Miami, FLAn uncanny and unexpected pose characterizes this work as Julius Ceasar warily looks over his shoulder and blood-stained toga. Signed lower right "M. Gl...Category
1980s Contemporary Figurative Drawings and Watercolors
MaterialsPencil, Paper, Watercolor
- Young man in a toga elegant man Latin American hyperrealist Hockney styleBy Claudio BravoLocated in Norwich, GBSuperb original drawing in coloured conté pencils, heightened with white on oatmeal coloured vergé paper by Claudio Bravo. The work was created during the artist's Moroccan period, a...Category
1970s Modern Portrait Drawings and Watercolors
MaterialsLaid Paper, Conté, Color Pencil
- The Japanese - Original Pencil and Sanguine Drawing - 1880sLocated in Roma, ITThe Japanese is an original modern artwork realized in 1880s by a french artist. Original drawing realized wth black pencil and sanguine. On the lower right corner: Musèe du Louvre...Category
1880s Modern Figurative Drawings and Watercolors
MaterialsPencil, Color Pencil
- beggars spanish modernism colored pencilsBy Ricard Opisso SalaLocated in Barcelona, BarcelonaRicard Opisso - Beggars - Colored pencils Measurements drawing 21x31cm. Frame measures 39x48 cm. Damaged paper at bottom. Anti-reflective glass. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas...Category
1940s Modern Portrait Drawings and Watercolors
MaterialsColor Pencil
- Untitled Geneviève Seillé Contemporary art outsider art drawing colour characterBy Geneviève SeilléLocated in Paris, FRMixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...Category
2010s Outsider Art Figurative Drawings and Watercolors
MaterialsPaper, Color Pencil, Graphite
- Pair of Etchings V. 3. IX and XIIBy Peter MaxLocated in Rio Vista, CAFantastic pair of Peter Max (American b. 1937) V. 3. IX and XII. In the manner of Picasso each color pencil signed lower center and titled low...Category
Late 20th Century Surrealist Figurative Drawings and Watercolors
MaterialsPencil, Paper, Color Pencil
- Female Portrait Drawing Roaring Thirties Monogram Dated pencil paperLocated in Florence, ITThis drawing, color pencil on paper 26 x 23 cm without frame, portrays a lady on profile, styled as the typical fashion of the time. By the way she's portrayed, she seems an audaciou...Category
1930s Post-Impressionist Portrait Drawings and Watercolors
MaterialsPaper, Color Pencil