Walter Schnackenberg

The Vampire

1951

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

1940s nude study, watercolor, and ink on paper painting by Polish/Russian artist Rotislaw Racoff (1904 - 1982). This is a fine study of a young woman, probably Asian, sitting back. T...

Artist: Abraham Rattner, American (1895 - 1978) Title: Man with Long Face Year: 1961 Medium: Ink and Wash on Paper, signed, dated and dedicated to Sue Salinas Size: 10 x 8.5 inches ...

Alfred H. Maurer emerged as an influential crucial figure in the art scene of late 19th-century America, gaining widespread recognition for his innovative Fauvist approach characterized by vibrant colors and expressive brushwork. Departing from his renowned portraits and genre paintings, he delved into Fauvist landscapes, still lifes, and depictions of anonymous individuals. His distinctive technique relied on saturated colors rather than precise lines or forms, allowing him to convey a profound psychological intensity through dynamic, flowing strokes. As he matured as an artist, Maurer pioneered American...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon PORTRAIT OF THE PAINTER 1943 Watercolor on paper 68 x 53 cm. Signed and dated: lower right ‘Quirijn van T...

1950s portrait, gouache on paper painting by Belgian artist Max Moreau (1902 - 1992). A finely detailed portrait of a lovely young girl looking like a good child from the period right after WWII. Moreau captures the sweet expression, soft features, and calm, well-mannered demeanor of that child. Hand-signed and dated on the bottom right corner. The artist demonstrates incredible skill in detailing this portrait with gouache and watercolor. This skill has made his portraits so desirable for international collectors. The painting still has its original elegant mahogany carved frame with glass protection. Measurements: With frame: 25.19 in wide (64 cm) x 30.32 in high (77 cm) x 2.38 in deep (6 cm). Opening view: 19.69 in wide (50 cm) x 24.50 in high (62 cm). Note: Max Leon Moreau (1902 - 1992) Moreau is a highly acclaimed artist born in Belgium. He is best known for his loosely brushed street scenes of Paris, Granada, and North Africa and his revealing portraits of met characters during his foreign travels. Taught to paint by his father, the family moved to Paris, where he made copies of paintings at the Louvre Museum. Later Moreau and his family lived in Tunisia and Morocco before settling in Granada, Spain. Following his death in 1992, his home was converted into a museum dedicated to his life and work. His paintings are internationally collected and appear at auction in major international houses. Max spent his last 30 years living in his Moorish-style house in Granada, which upon his death, was bequeathed to the City of Granada along with the contents of his studio and artwork. The City of Granada has turned his home into a museum showcasing his paintings, studio, and private life. The main building of the Casa Museo Max Moreau houses an exhibition space that takes us on a journey through his most common themes: portraits, still-life, and landscapes, represented through oil paintings, watercolors, and drawings on paper. There is also a series of models for theatre creations that illustrate his interest and relationship to the scenic arts (he was involved in many productions as an actor, playwright, musician, and set designer). The building is an original from the region of Albayzín and is popularly known as Carmen. Does the name come from the Arabic word Karm which means vine, orchard, or garden.?The second building houses his studio, remained untouched: the easel next to the window, a piano with scores, and a collection of oriental objects...

Abstract expressionist portrait of a colorful face by Berkeley artist Howard Margolis (American, 1927-2015). Unsigned, with “Howard Margolis” on verso. Presented unframed, in a paste...