Reynaldo Luza

"Palm Trees" 1950 Watercolor by Reynaldo Luza

A book by Rowland Johns. 1st Edition E.P. Dutton And Company, Inc. 1936 [60] pp. 8.75" x 6.5" x 0.5" Artwork 10.5"H x 7.75"W Frontispiece "I Shall Be Waiting"

BROWN, Paul Inscribed (LR in pencil): Merry Christmas to Whit Love Dad '39 You'll never put him down by getting his knees in it. He puts in too big a leap but a safe one- and loses time Art Sz: 11 3/4"H x 17 3/4"W Frame Sz: 21"H x 26 1/2"W Provenance: The Estate of Paul Brown Long Island Forbra was a National Hunt racehorse best known for being the winner of the 1932 Grand National steeplechase when relatively unconsidered at 50/1. Prior to his victory in 1932, Forbra beat Golden Miller in a race where 'The Miller' was disqualified for carrying the wrong weight. The gelding had originally been aimed at another race at the meeting, but was switched to the National after winning a race at Taunton Racecourse. He started at odds of 50/1 in a field of thirty-six runners and won by three lengths from Egremont. Forbra subsequently finished sixth in the race in 1933 and fourth in 1934 and never fell during his racing career. He was put down in 1935 after a race at Newbury, having broken a fetlock between the final two fences. Forbra's owner, Mr William (Billie) Parsonage, was a well-known commission agent based in Ludlow, Shropshire, and had previously attempted to win the National with a number of staying chasers. The best known of these was Master Billie, who had been greatly fancied and heavily backed in 1929. Forbra was the first Grand National winner to emerge from the famous Kinnersley stables near Worcester, where in later years Fred Rimell, son of Forbra's trainer Tom Rimell, became a champion trainer, winning more Nationals and almost all the major NH events of his time. Forbra is honoured each year with the Forbra Gold Challenge Cup, a Handicap Chase over three miles...

9 1/2"H x 6 1/2"W

Hand-coloured fashion plate No. 50 designed by Givenchy of Paris c.1980's including 3 fabric swatches attached Plate Sz: 11.5"H x 8"W Frame Sz: 16"H x 1...

Original gouache by the noted English illustrator, Philip Gough (1909-1986) for the UK (Heinemann) dust wrapper cover artwork of Georgette Heyer's nove...

BROWN, Paul (AMERICAN 1893-1958) Artist's copy (LL) Signed (in pencil): Paul Brown (LR) w/ remarque horse head pencil sketch to Alice and Whit Love ... Art Sz: 17 1/2"H x 26"W Frame Sz: 25 3/4"H x 33 1/2"W Provenance: The Estate of Paul Brown Long Island w/ 16 vignette polo teams (bottom left to right): Wanders/ Ranelagh/ Cooperstown/ Meadow Brook Magpies/ Meadow Brook/ Great Neck/ Argentine/ Midwick/ Orange County/ Sands Point/ Hurricanes/ Santa Paula...

Norman Edgar Hubert (British, 1906 – 1985) Geometric abstract in black and white Signed and dated ‘E Hubert 55’ (on the reverse) Gouache on black paper 25.3/8 x 20.3/4 in. (64.3 x 53 cm.) Abstract painter, born Norman Edgar Hubert in Billingshurst, Sussex, and one of the mysterious curiosities of modern British painting. He was at school at Sherborne, and after studying art at University of Reading, 1924–6, was at the Slade School of Fine Art, 1926–9 (gaining a certificate for drawing, 1926–7). Henry Tonks was among his teachers and he shared rooms with William Townsend, in whose journals he appears. Although he socialized with such painters as Geoffrey Tibble, William Coldstream and Rodrigo Moynihan...

Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990 La Porte de la Guerre #2 Gouache on paper 8.3/4 x 8.3/4 in. (22.2 x 22.2 cm.) Signed ‘Erte’ (lower right) and numbered ‘8128’ (...

Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990) Le Chateau de Cristal Gouache on paper 6.1/2 x 9.1/2 in. (16.5 x 24.2 cm.) Signed ‘Erte’ (lower right) and inscribed with stam...

Erte (Romain de Tirtoff’ (French / Russian 1892 – 1990 La Porte de la Guerre #1 Gouache on paper 8.3/4 x 8.3/4 in. (22.2 x 22.2 cm.) Signed ‘Erte’ (lower right) and numbered ‘8128’ (...

A delightful art deco watercolour colour painting with a light touch by the British Art Deco designer and illustrator William Henry Barribal. By the turn of the 20th century, Barr...

A very magnificent work by 20th Century British artist Hans Feibusch of a nude classical figure posed for a study for the four seasons Escaping the grip of Nazi Germany in 1933, Han...