Anne Francey

Flower #2 (Gestural Abstracted Flower Drawing in Red and White)

1988

Anne Francey returns to the gallery exhibiting selections from both past and current work. Trained as a painter, Francey added ceramic to her studio practice after developing a love and fascination for the ceramic tiles and infinite design that adorn houses and interiors in Tunisia, spending a year at the National Center of Ceramics of Tunis. Arabesques, this endless flow of lines inspired by vegetal forms typical of Islamic art, has translated onto her recent work in the form of simply choreographed lines resembling seed pods, bramble and flowering buds. In her 1988 Flower series, Francey captured the delicate essence of her natural model through vivid movements of paint and animated marks of red and black charcoal on paper and canvas. So simple in their approach, the seemingly effortless designs owe their appearance to the liberated approach Francey takes with the application of her medium. In more recent work, Francey continues the free-hand aesthetic with her work on paper series entitled, Seismography.