Items Similar to Gingko No.4, 2023, hyper-realist drawing, colored pencil on paper
Want more images or videos?
Request additional images or videos from the seller
David MorrisonGingko No.4, 2023, hyper-realist drawing, colored pencil on paper 2023
2023
About the Item
David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few.
'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society).
Artist Statement
My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations.
The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches and tree trunks by looking at them through magnifying glasses that allowed me to peer deeper into an astonishing world of abstract shapes and patterns. I then realized the complexity of nature and how magnificent it is. Every time I start a new drawing the discovery process starts anew. In the finished drawings, the branches and tree trunks are isolated on a pristine white background, devoid of all the distractions of other plant materials. My intention is to show the beauty of a simple flowering branch or a scarified tree trunk for the viewer to reexamine the realities of nature.
- Creator:David Morrison (1956, American)
- Creation Year:2023
- Dimensions:Height: 21 in (53.34 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
David Morrison
David Morrison was born in Indianapolis, Indiana in 1956 and received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. His colored pencil drawings are often nature-based, presenting iconic humble subjects with a quiet focus that is belied by their intensely rendered, almost microscopic details that appear upon close inspection. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The Corcoran Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, and the Portland Art Museum to name a few. A visiting lecturer and guest artist at numerous universities, Morrison is very involved in the world of printmaking, specifically stone lithography, and he is the Professor of Printmaking at Herron School of Art and Design, Indianapolis.
About the Seller
4.7
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2010
1stDibs seller since 2016
76 sales on 1stDibs
Typical response time: 6 hours
Associations
Association of Women Art Dealers
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Ginkgo Twig No.2, 2023, hyper-realist, colored pencil drawingBy David MorrisonLocated in New York, NYDavid Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsColor Pencil
- Pyracantha Bonsai, 2023, hyper-realist drawing, colored pencil on paperBy David MorrisonLocated in New York, NYEver-interested in delicate and often toiling labor, David Morrison’s newest body of work stems from his practice as a master gardener. David’s methodical cultivation of irises and b...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsColor Pencil
- Daisies, grey realist graphite on paper floral drawing, 2020By Mary ReillyLocated in New York, NYMary Reilly explores the full tonal depth of graphite in her nature drawings and landscapes. She finds all of the soft subtleties of gray as she shifts seamlessly from branch to pebb...Category
2010s American Realist Landscape Drawings and Watercolors
MaterialsGraphite, Paper
- Lady's Thumb (blue), graphite botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsGraphite, Paper
- Dandelion with Bud, contemporary realist silver floral graphite drawing, 2019By Margot GlassLocated in New York, NYThese elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsGraphite, Paper
- Three Dandelions, contemporary realist botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass reimagines color and tone, using luminescent graphite to translate vivid shades into bursts of silvery-gray. Ever-interested in fragility and ephemerality, Glass lingers...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsPaper, Graphite
You May Also Like
- ReanimatorLocated in Columbia, MOSean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...Category
21st Century and Contemporary American Realist Interior Drawings and Wat...
MaterialsArchival Paper, Graphite, Watercolor
- Jawbreaker/MouthfulLocated in Columbia, MOSean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...Category
21st Century and Contemporary American Realist Interior Drawings and Wat...
MaterialsArchival Paper, Graphite
- AtonementLocated in Columbia, MOSean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...Category
21st Century and Contemporary American Realist Interior Drawings and Wat...
MaterialsGraphite, Archival Paper
- Pink Rose Floral StudyBy Barbara GibsonLocated in Soquel, CAWatercolor of a pink rose with a stem on laid paper by Barbara Gibson (20th Century). Presented in a double mat in a modern silver frame. Signed "Barbara Gibson" and dated "1989" in ...Category
1980s American Realist Still-life Drawings and Watercolors
MaterialsWatercolor, Laid Paper, Pencil
- Mid Century Amaryllis Blossom WatercolorBy Joseph YeagerLocated in Soquel, CAHighly detailed watercolor of an amaryllis blossom by Joe Yeager (American, early-mid 20th Century). Signed "Joe Yeager" in pen under one of the petals. Pre...Category
1940s American Realist Still-life Drawings and Watercolors
MaterialsPaper, Watercolor, Pencil
- Southwest Living Room Interior Still-LifeLocated in Soquel, CADetailed watercolor of a Santa Fe southwest style living room, full of vibrant Navajo patterned textiles, by unknown artist "West" (American, 20th Cen...Category
1990s American Realist Still-life Drawings and Watercolors
MaterialsPaper, Watercolor, Pencil