Oil Crayon Still-life Drawings and Watercolors
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Medium: Oil Crayon
News From a Faraway Land, Original Drawing, Interior Scene, Vase, flowers
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed.
Medium : Oil based color pencils on Hahnemühle Fine A...
Category
21st Century and Contemporary Contemporary Oil Crayon Still-life Drawings and Watercolors
Materials
Color Pencil, Archival Paper, Oil Crayon
Jardin Imprévu Pivoines, Original Drawing, Flowers, Peonies, Garden
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed.
Medium : Oil based color pencils on archival paper pu...
Category
21st Century and Contemporary Contemporary Oil Crayon Still-life Drawings and Watercolors
Materials
Archival Paper, Color Pencil, Oil Crayon
Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPA
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of flowers in vase.
Framed in a vintage cobalt blue glass original frame
Hand signed and dated
Framed it measures 13.5 X 10.5
The actual paper is 7.5 X 5.5
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”
By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist.
Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.
Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
Category
1950s Expressionist Oil Crayon Still-life Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink
Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPA
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods
Hand signed.
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”
By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist.
Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.
Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
Category
Mid-20th Century Expressionist Oil Crayon Still-life Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink
"Two Vases, " Original Ink & Oil Pencil Drawing signed by David Barnett
Located in Milwaukee, WI
"Two Vases" is an original ink and oil pencil drawing by David Barnett, signed and dated in the lower right. This drawing is composed of hatched black lines, accented by a myriad of ...
Category
2010s Contemporary Oil Crayon Still-life Drawings and Watercolors
Materials
Oil Crayon, Ink
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Oil Crayon still-life drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Oil Crayon still-life drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Ben-Zion Weinman, and David Barnett. Frequently made by artists working in the Contemporary, Expressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oil Crayon still-life drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for still-life drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $1,450,000, while the average work can sell for $974.
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