Ben

Solution 17, 1986 - mixed media, 45x34 cm., framed

1986

Mixed Media Ben, de son vrai nom Benjamin Vautier, né le 18 juillet 1935 à Naples, est un artiste français d'origine suisse. Il acquiert une certaine notoriété auprès du public dès ...

Encre de Marcel Gromaire, signé en bas a gauche. Encadré 58x47 cm. Marcel Gromaire (né le 24 juillet 1892 à Noyelles-sur-Sambre et mort le 11 avril 1971 à Paris) est un peintre, gra...

Mixed Media

Oil on canvas, signed on back

Oil on canvas, signed lower left Georges Gaston Arnulf est un peintre et graveur français, né à Monte-Carlo (Monaco) le 23 mars 1921 et mort le 19 novembre 1996 au Thillay. Georges Arnulf est originaire d'une ancienne famille niçoise. Il est le neveu de Gaston Arnulf, ancien conseiller général, et le fils d'un ancien hôtelier niçois. Il fait toutes ses études au lycée de Monaco et au lycée de Nice. Après avoir suivi les cours de dessin et de décoration à l'École nationale des arts décoratifs de Nice, où il est l'élève de Jules Henri Lengrand, il est reçu en 1946 à l'École nationale supérieure des beaux-arts de Paris, présenté par Pierre-Henri Ducos de La Haille le 30 octobre 1947, il y fréquente les ateliers de fresque et de gravure. Il entre chez le taille-doucier Robert Cami où il continue son apprentissage du burin1, de l'eau-forte, de la manière noire. Il obtient en 1950 le premier grand prix de Rome de gravure en taille douce2 et il est missionné pour réaliser l'étiquette de la bouteille du Château Mouton Rothschild 19503. Pensionnaire à la villa Médicis à Rome pendant trois ans et demi4, il voyage et grave au burin l'illustration d'une édition de luxe des sonnets de Shakespeare traduits en français par François-Victor Hugo, préfacé par André Maurois (éditions Henri Javal, 1954). Revenu à Paris en 1955, il réalise la mise en page et l'illustration au burin et à l'aquatinte d'un livre de poèmes de Philippe de Rothschild, Éclos à l'aube. En 1956 il part pour le Liban comme conseiller artistique et technique de l'Imprimerie catholique de Beyrouth, au cours de cette période il effectue différents séjours en Égypte et en Asie mineure. En 1957, il signe un contrat comme conseiller artistique attaché au service des publications du ministère de la Culture en Colombie. Il est chargé par ailleurs de la conception et de la réalisation de 20 vitraux destinés à l'église coloniale San Francisco de Bogotà, qu'il mène à bien selon la technique traditionnelle avec l'aide d'un maitre-verrier. Il exécute aussi les fresques de l'hôtel Tonchalà à Cucuta et dirige la restauration de 200 tableaux appartenant aux diverses églises de l'époque coloniale colombienne. Il devient par la suite directeur artistique des éditions de la compagnie Seguros Colombia et de la banque Banco de construccion y desarrollo à Bogotà. Attiré par l'immensité et la diversité des paysages colombiens, il visite les Llanos, l'Amazonie et les régions les plus reculées du Magdalena et du Huila : San Augustin et Tierradentro, vastes zones archéologiques, d'où il rapporte de nombreux croquis de sculptures monumentales et de fresques des nécropoles, qui viennent compléter ceux pris au musée national et au musée de l'or de Bogota. Ce long travail est à l'origine de la collection des Estampes précolombiennes, à laquelle il se consacre dès son retour en France en 1966, et dont le premier volume paru en avril 1967 est présenté à la galerie-librairie de Gérard Mourgue à Paris5. La même année, pour se détendre du travail minutieux de la gravure, il réalise une fresque dans le patio de la villa Joya d'Alexandre Reza à Saint-Jean-Cap-Ferrat. Il est alors nommé professeur de dessin à l'École nationale d'art décoratifs de Nice où il reste jusqu'en 1968, puis il obtient un poste — chargé de cours « Formes et graphismes » — à la faculté de Vincennes en 1969. Il fait transporter sa presse, achetée avant son départ pour la villa Médicis et rangée chez ses parents, dans l'atelier de sa nouvelle maison au Thillay. Atteint de maladie de la moelle osseuse, il est hospitalisé durant des mois. En réaction à la souffrance et à l'immobilité, il dessine alors quantité de croquis à la pointe bic qui seront autant d'études pour ses futures gravures. Les plus grands spécialistes le condamnent à très court terme, mais il guérit et reprend ses activités. Il se spécialise alors dans la réalisation de décorations murales en cuivres gravés de 10 à 20 m2 installées dans plusieurs facultés et lycées au Havre, Poitiers, Niort, Granville, ainsi qu'un monumental mobile...

Oil on plywood, signed lower left.

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

Vous serez consolés dans Jérusalem by Theo Tobiasse (1927-2012) Mixed media on paper laid on canvas 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed and dated 1966 Provenance Private coll...

Mixed media work with various animals and the phrase, "very restful here...". Artist Biography: Dick Wray, a native Houstonian,born in Heights Hospital in 1933 was primarily educat...

Pen and pencil on paper Paper size: 7.25 x 9.75 inches Framed size: 20.75 x 22.25 inches Signed lower left Provenance: Private collection, Somerset

Acrylic on canvas paper, mounted on masonite with black enamel painted frame.