Carla Goldberg

Hudson River - Early Morning Fog: mixed media work of art

2014

Contemporary mixed media artwork by Julien Tomasello. Julien Tomasello is a multi-disciplinary artist who typically works in collage, sculpture, and ...

Rachel Kohn creates her meditative landscapes by layering watercolor with wax and aqua resin, adding texture and dimension to each work. Kohn's process fuses sculptural and printmaki...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Meditative landscapes of Rachel Kohn are created by layering watercolor with wax and aqua resin, adding texture and dimension to each work. The complex, sculptural quality of her wor...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Speaker Mounted on Canvas 9mm Bullet 24 k Gold 5 Carat Diamond Dust Shredded USD's Hemp Seeds Acrylic Paint Artist Powder Enamel Epoxy This painting was created by Painting with So...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

A figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings...

An abstract painting of a landscape.

Ash Almonte is inspired by beautiful color, incredible music, outrageous fashion, raw and loud works of art, and likes to take risks while transforming her paintings into stories. Sh...