Dan Lam

Drip

2018

In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...

Artist: Jim Pallas (1941) Title: Spiraling “No” Year: 2023 Medium: Pigmented Epoxy on urethane foam, iron wire, base of steel and concrete Size: 21 x 4 x 3 inches Condition: Excellen...

Artist: Jim Pallas (1941) Title: Crabby “Yes” and “No” Year: 2023 Medium: Epoxy, urethane foam Size: 3 x 4 x 1 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (...

Artist: Jim Pallas (1941) Title: Red Flying “Fuck” with yellow and multicolored beads Year: 2014 Medium: Epoxy, urethane, ceramic, beads Size: 6 x 7 x 5 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (1941-) American painter, draughtsman, sculptor, and printmaker. An innovator of technological art beginning in the early 1960s, Pallas drew inspiration from his upbringing in Detroit, Michigan where he had early exposure to the automobile industry, its materials and design. He is recognized for having employed electronics and early computer technology to enable his sculptures to respond to external stimuli. Often the circuit boards specifically designed for a particular piece were, themselves, drawings. Throughout his varied career, Pallas has created sculptures and reliefs employing a variety of subjects often imbuing the objects with humor and irony, yet connecting them to everyday life and experiences. Represented by the preeminent Allan Stone Gallery in New York for more than two decades, Pallas’s work has been exhibited in and collected by institutions nationwide including the Detroit Institute of Art, and Columbia University. In legacy, Jim Pallas’s artwork is allied with other innovative masters of the 1960s and 70s including Red Grooms, Larry Rivers, Andy Warhol, Claes Oldenburg, Yaakov Agam, Nam June Paik, Frieder Nake, Leslie Mezei, Georg Nees, A. Michael Noll...

Artist: Jim Pallas (1941) Title: Reclining “Yes” on three round wheels and one square Year: 2023 Medium: Iron, epoxy, urethane foam and steel Size: 8 x 10 x 9 inches Condition: Excel...

1.75 x 3.5 x 1.5 Mixed Media 2023 Each mini is a unique and original artwork. Biomorphic sculpture that draws you to play with it.