Elizabeth Yarosz-Ash

Pictura (Jesse James), Mixed Media on Paper

2013

Blue, Black, Cream, White abstract painting, 36" x 48" (3 feet by 4 feet) 12-6-14 / acrylic, oil stick, oil pastel, colored pencil, graphite, oil pencil on 3" canvas :: Mixe...

A lyrical mixed media painting featuring large butterflies and a very small quail. Media used include acrylic paint, Japanese paper and collage elements. The painting is varnished w...

36" x 48" (3 feet by 4 feet) 2-10-15 / acrylic, oil stick, oil pastel, colored pencil, graphite, oil pencil on gallery wrapped canvas :: Mixed Media :: Abstract Expressionism ::...

Abstract expressionism painting with a stunning iridescent sheen, unique textures, swirly lines, and bubbly details created with high-quality acrylics. Original Abstract Painting ...

A world beneath the waves awaits you, with serene blues and white ocean bubbles, a stunning resin finish, and gorgeous textures; accented with yellow to represent sun rays peeking th...

Part of my latest body of work, this emotional figurative portrait delves into psychological realities that are irrespective of traditional expectations of masculinity Shipping WO...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Triple shot of Marilyn Monroe. Gold acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Would ship rolled from artists' studio. About the Artist: Russell...

Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works. Born in 1970, he studied Fine Arts ...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...