Esmeralda Kosmatopoulos

Head in the (i)cloud

2013

'Laughing rocket' 2008, Wood, painted, collected plastic refuse, 65 x 25 x 25 cm DEMBA Camara, born in 1970 in Bouaké, Côte d'Ivoire 2006/2007: Group exhibition at the Guggenheim Museum, Bilbao, Spain 2008: Group BHAI - friends of Art, Abidjan 2009 exhibition: solo exhibition at the galerie Le Lab, Abidjan 2009/2010: exhibition "Africa? -Una nuova storia"Complesso del Vittoriano, Rome, Italy since 2011: permanent exhibition at Gallery Amani, Abidjan 2012: Group exhibition at the galerie Le Lab, Abidjan group 'Africa Africa', Centre d'art contemporain, Meymac, France represented at Affordable Art Fair in Rome by Kyo black Representation on map a series of objects by Camara deep by Frédéric Bruly Bouabré...

Thomas the Unbeliever, 2017 Mixed media on paper and re-board 83 x 83 x 63cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and...

Mirrors, 2016 Neon, flasher, plexi mirror, wires Size Variable Mirrors is a 8-foot long chandelier made of dozens of colorful neons hanging on top of a large mirror rectangular box....

Konstantinos Stamatiou Untitled, 2015 
acrylic paint with recycled plastic bottles and straws 57 x 15 x 20 cm

Esmeralda Kosmatopoulos is a multi-disciplinary conceptual artist. ? She has lived her life surrounded by unique cultures—born in Greece, raised in Paris—she now lives and works in ...

Esmeralda Kosmatopoulos is a multi-disciplinary conceptual artist. ? She has lived her life surrounded by unique cultures—born in Greece, raised in Paris—she now lives and works in ...

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

KRIŠTOF KINTERA Neuropolis / In cities we are born and in cities we die, 2022 Mixed Media 80 x 71 x 23 cm 31 1/2 x 28 x 9 1/8 in

This is a resin sculpture thats made up of twelve identical triangular pieces glued to wood frames and permanently assembled into the trapezoidal composition you see. The piece is ...

Presenting an extraordinary and commanding work of art, an extra-large metal assemblage in post-war style which truly makes a statement. The patinated metal objects create a rich, darkened and golden metallic nuances that are deep and saturated. The physical three-dimensionality arising from the of the metal assemblage further enriches the overall depth, creating an intensely dramatic and captivating visual experience. Due to its size and volume this piece is both remarkable and rare, and will without a doubt stand out in any interior. Within the assemblage, a diverse array of scrap metal objects and plates of varying sizes and forms coexist alongside intriguing remnants, including a leather sole, large leather straps, fragments of a robe, and vintage nails...

Dominic Beattie Ersatz Ceramic I Ink, spray paint, cardboard, wood H 30 x W 5 x D 5 cm (variable)

Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Valéla, both Ematé clans people from old Enopé village between the Jordan and Maruma Rivers. It was here that her mother taught her how to sew her grandmother, Munne's, sihoti'e taliobamë'e - designs of the mud. This method of appliquéing mud-dyed barkcloth was first practiced by Suja, the first woman and mother of the world, as told in the Ömie creation story. Brenda has begun to teach her sister Teresa Kione (Avur'e) to sew the ancestral Ömie sihoti'e designs such as wo'ohohe - ground-burrowing spider and taigu taigu'e - ancestral tattoo designs. Brenda lives happily by the Jordan River...