Jules Pierre van Biesbroeck

VAN BIESBROECK Jules. Arab women working. Pastel on grey paper.

CLAES-THOBOIS Albert Statue. Pastel. Signed and dated 1929. Provenance : Collection of the mistress of the artist. Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald...

CLAES-THOBOIS Albert Statue. Pastel. Signed and dated 1929. Provenance : Collection of the mistress of the artist. Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald...

Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald and Herman Richir. His career spanned an age of g...

Untitled Acrylic and paint tubes on resine ​ Provenance : - Galerie Bernart, Antwerp - former collection of the Dutch Cobra artist Corneille (Cornelius van ...

SCULPTURAL VASE Stoneware with reddish eggplant glazing. An outstanding example of the important artists ceramic work. Han Meilin was born 1936 and is a Ch...

Family scene. Oil sketch on cardboard. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

James Turrell Site Plan with Projected Section and Survey Net, 1992 mylar, beeswax, emulsion, ink, liquitex, wax pastel 41.5" x 60.5" framed Unique Since the 1960s, James Turrell has experimented with visual perception and the materiality of light. Early in his career, he was associated with the Light and Space movement in Southern California and participated in the Los Angeles County Museum of Art’s landmark 1967-1971 project Art and Technology, which paired artists with emerging industries and technologies of the period. Interested in sensory deprivation and the Ganzfeld effect, his light defined shapes, skyspaces framing the sky, and built environments of horizon-less saturated color provoke a reflexive state that the artist has described as “seeing yourself seeing” – a state in which the viewer is aware of the functioning of their senses and recognizes light as a tangible substance. Since 1979, Turrell has been constructing his magnum opus at the Roden Crater...

There is an emerging plant underneath the fields and mountains. The mystery and strength of spring prevails. I was thinking of the powerhouse of the seasons when I created this wor...

Modern, elegant mixed media (oil, oil pastel, pencil, and collage) painting on wood board. Through overlays and transparencies, the contemporary artist Federica Aiello Pini...

Modern, elegant, and original mixed media (acrylics, pastel, pencil, and collage) painting on unstretched canvas with an irregular shape. Through overlays and transparencies, the contemporary artist Federica Aiello Pini...

Abstract representation evoking a flux of energy moving like the small cascades of mountains torrents. Trying to imagine the way we could perceive nature and reality if we went beyon...

Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...