Kathleen Hope

Modular 77

Kathleen Hope MODULAR 76 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 93 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 87 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 92 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 69 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 83 cement, pigment, plaster 8.00 X 8.00 in $250.00

Edward Lentsch’s expansive artistic practice explores his relationship between the self, nature and the universe. From the Fibonacci sequence to the teachings of Aristotle, Lentsch attempts to create a bridge between the natural world and these intellectual canons, exploring the interconnection between the realms of science and mysticism, the metaphysical and the spiritual. He explores how these three facets are integrated within a global environment and moreover how we, as humans, fit within this complex matrix of thought using the ideas of some of the world’s greatest writers and scholars. Lentsch works across a variety of media to create an ‘energy of intention’, in which textures, compositions and colours (or their absence) are combined. At first glance, his abstract canvases bring to mind the earthen tones of Kiefer, or the scratched surfaces of Tàpies. Lentsch, however, draws from a broader art historical canon, and painting becomes an extension of the life force around him, a transformative experience through which he can mediate a pure experiential moment. Flowing from a nonverbal intuitive state of creative expression, Lentsch bridges a complex visual language in which colours and textures are lifted from the natural world. On canvas, they are refracted and tessellated, at times put through the process of entropy, which allows for them to be transformed and transmuted. Lentsch starts with a mastic and polymer foundation, before working with stone powders and dry pigments. Here, while the work is still wet, he uses trowels...

This beautiful work of art has neutral colors and is perfect for decorating minimalist and modern spaces. Any color on the background goes perfect with the sandstone tones that predo...

This stunning kinetic sculpture is made of welded, powdercoated, and painted steel in white and gradient shades of metallic pink, spiraling at the top of a tall pole. The colorful top section is counterbalanced by a brake drum and concrete cone that moves inside of a steel cage over an embedded base made of cast iron antique man-hole covers. It catches even the slightest breeze for near-constant movement! Please watch the video to see the incredible wind-powered kinetic in action. Jeff Glode...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...