Leslie Cabarga

BetBoop, Popeye et Cie, L'Histoire des Fleischer

1980

Date: 1903 Medium: Mixed Media on Board Sight Size 18.00" x 15.75", Framed 24.50" x 22.25" Signature: Signed Lower Right Betty Sage, Rhymes of Real Children, New York, 1903, illustr...

Date: 1904 Medium: Mixed Media on Board Sight Size 14.75" x 14.75", Framed 23.00" x 23.00" Signature: Signed Lower Right Cover of Colliers magazine,...

Date: 1903 Medium: Mixed Media on Paper Sight Size 24.25" x 15.50", Framed 31.35" x 22.50" Signature: Signed Lower Left Scribner's Magazine story illustration, November 1911, 1903 ...

Medium: Mixed Media on Board Sight Size 21.50" x 14.50", Framed 26.00" x 19.00" Signature: Signed Lower Left Illustration for the "Exhibition of the American Water Color Society."

Medium: Mixed Media on Board Signature: Signed Lower Right Annie W. Franchot, Bobs, King of the Fortunate Isle, New York, 1928, frontispiece illustration LITERATURE: Edward D. Nu...

Medium: Mixed Media Signature: Signed Lower Right Contact for dimensions.

"Wine and Fish" is a framed mixed media on panel work by Dennis Campay, depicting a skillet with fish and vibrant sides alongside a glass of wine. Campay's painterly brushstrokes abs...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Triple shot of Marilyn Monroe. Gold acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Would ship rolled from artists' studio. About the Artist: Russell...

Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works. Born in 1970, he studied Fine Arts ...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...