Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Lucha Rodríguez
"Por Ahí Voy I, Knife Drawing", hand scored giclée print, metallic paper

2023

About the Item

This piece titled "Por Ahí Voy I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"w framed, and is shipped in the featured white frame. Lucha Rodríguez is a Venezuelan-Panamanian artist based in Atlanta, GA. She received her M.F.A. from Savannah College of Art and Design (Atlanta, GA) and her B.F.A. from The Art Institute of Atlanta (Atlanta, GA). During her career, she has been featured in group and solo exhibitions in the U.S. and internationally in India, Mexico, China, and France. Rodríguez’s work has been exhibited most recently at The National Museum of Women in the Arts (Washington, D.C.), The Museum of Contemporary Art Georgia (Atlanta, GA), Union College Feigenbaum Center for Visual Arts Crowell and West Galleries (Schenectady, NY), Ortega y Gasset Projects (Brooklyn, NY), Telfair Museum (Savannah, GA), and the University of Central Florida (Orlando, Florida). Her work has been featured in Albany Times Union, The Hong Kong Standard, The Nashville Scene, and The Atlanta-Journal Constitution, among others. Rodríguez has been an artist-in-residence at Wassaic Project (Wassaic, NY), Vermont Studio Center (Johnson, VT), MASS MoCA (North Adams, MA), Hambidge Center for the Creative Arts and Sciences (Rabun Gap, GA) and ChaNorth (Pine Plains, NY). Rodríguez is a 2016 Fulton County Arts and Culture Artist Grant recipient and the 2010 Forward Arts Foundation Edge Award Awardee. In the academic field, Rodríguez has been invited as a visiting artist and guest lecturer at Kennesaw State University, UGA Lamar Dodd School of Art, Emory University as well as a guest lecturer at The Savannah College of Art and Design Lacoste, Hong Kong and Savannah campuses. More recently in 2020 Rodríguez lectured at Union College in Schenectady, NY.
  • Creator:
    Lucha Rodríguez
  • Creation Year:
    2023
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Philadelphia, PA
  • Reference Number:
    1stDibs: LU188213460932
More From This SellerView All
You May Also Like
  • Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
    By Jo Yarrington
    Located in Darien, CT
    Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
    Category

    2010s Conceptual Abstract Sculptures

    Materials

    Plastic, Photographic Film, Acrylic Polymer, Found Objects, Inkjet, Arch...

  • MIxed Media Conceptual Art Sculpture Drawing Human Rights Welded Iron
    By Francoise Schein
    Located in Surfside, FL
    This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...
    Category

    Late 20th Century Conceptual Abstract Sculptures

    Materials

    Iron

  • Limpopo, 2021
    By Michael Davis
    Located in Palm Desert, CA
    Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"
    Category

    21st Century and Contemporary Conceptual Abstract Sculptures

    Materials

    Metal

  • Color Theory 2022 Contemporary collage
    By Michael Davis
    Located in Palm Desert, CA
    Style: Contemporary, Modern, Conceptual The artwork is an assembly of art fundamental theories in juxtaposition with patterns, shapes and archival digital prints illustrating phenome...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Fabric, Plywood, Paint, Paper, Digital

  • Akiko Sugiyama Japanese Calligraphy Painting Collage, 3D Shadow Box Sculpture
    Located in Surfside, FL
    Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...
    Category

    21st Century and Contemporary Contemporary Mixed Media

    Materials

    Plexiglass, Paint, Paper, Ink, Mixed Media

  • MIRROR - Contemporary - Geometric Abstract w/ Repurposed Construction Material
    Located in Signal Mountain, TN
    "Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...
    Category

    2010s Contemporary Abstract Sculptures

    Materials

    Concrete

Recently Viewed

View All