Max Papart

Dove in Flight

1982

Abstract Oval Composition with Birds and Other Images Signed and numbered in pencil Etching with carborundum

Borborygmi, 1988 Signed, dated, and numbered in pencil in lower margin Aquatint with colors 49 x 49 inches

22 3/4 × 30 in 57.8 × 76.2 cm

41 7/10 × 39 7/10 in 106.04 × 100.96 cm

Screenprint on wove paper Edition of 50 Published by Gemini G.E.L., Los Angeles Signed and numbered in pencil with studio blindstamp

From the "Edition Domberger 1980" Signed and numbered with publisher embossing

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 27 from the limited edition of 75 by the artist on the front ...

"Insignia #2" Abstract Mixed Media on Handmade Paper Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...

Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed and numbered 1 of 5 (1/5) by the artist on the front Frame Included: elegantly floated and framed in a museum quality hand made wood frame, finished with authentic gold leaf The present work is one of a suite of hand colored prints that were included in the exhibition "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Excerpt from the PACE Gallery Press materials: It is clear that Moix, a true Catalonian, has a rightful claim to the lineage that spawned the extraordinary draughtmanship of his Spanish predecessors- Goya and Picasso. “Part of the pleasure of this project on Quixote by Santi Moix is that it boldly closes the gap between writing and art, between the markmaking of the pen, the stylo, the etching tool, between the fiction of two absolutely distinct means of expression, and proposes instead a true imaginative domain in which unity is everything” – Adrian Dannati, 2008 Measurements: Frame: 22 x 27 x 1.5 inches Print: 19.5 x 25 inches Exhibition History: "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Published by Pace Prints, in collaboration with the Institut Ramon LLull Provenance: PACE Editions, New York, NY This work is elegantly floated and framed in a hand made museum quality wood frame, finished with genuine gold leaf, under UV plexiglass. About Santi Moix: Santi Moix was born in Barcelona in 1960. Recent solo exhibitions include “Brooklyn Studio,” M77 Gallery, Milon, Italy; “Santi Moix on Huckleberry Finn: Watercolors and Wall Dryawings,” Paul Kasmin...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...