Nancy B. Negley

Untitled Collage #1 on Canvas

2006

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Vibrant kinetic sculpture that includes a base that can be mounted on the wall with long pole-like attachment that balances at the base of the piece. The work is wonderfully painted in a variety of vibrant colors and patterns. Artist Biography: Artist John Scott was born in New Orleans and raised in the city’s Lower Ninth Ward. He taught at Xavier University for more than 40 years and was named a MacArthur Fellow in 1992 by the John D. and Catherine T. MacArthur Foundation, a highly prestigious honor that came at the height of his career. Scott was known for creating vibrant kinetic sculptures that explored topics ranging from the West African diddly-bow string instrument to the rhythms and movements inspired by enslaved dancers in early 19th-century in New Orleans’s famed Congo Square. His large woodcuts...

Contemporary abstract expressionist mixed media painting by Florida-born artist Suzanne McClelland. The work features an explosion of abstract and energetic mark making stemming from...

Textured colorful abstract painting by Reeves Art + Design owner and Houston TX artist Paul Reeves. This piece features abstract brushstrokes that form various forms and shapes and a...

Colorful red, blue, and green abstract expressionist painting by Houston, TX based artist Phyllis Flax. The work features large areas of color bleeding into each other with various n...

Purple toned abstract collage featuring a variety of everyday objects such as a car, an ice cream cone, a fork, a glass of water, and a camera. Signed,...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...

Digital Print Mounted on Acrylic and Lead, Galvanized Pipe and Caps

Nanotechnology Material, Lead, Galvanized Pipe and Caps on Aluminum Exhibited at the International Art Fair, Zona Maco 2019 in Mexico City. Exhibited at Mana Contemporary at Jersey ...

This dynamic mixed media construction was realized by the esteemed American artist Ladislas Segy (1904-1988)- whose work is represented in the collection of the Brooklyn Museum of Ar...

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...