Ronnie Cutrone

POP OUT

1988

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All...

Hand signed, numbered, and dated by the artist. Hand embellished. Limited edition of 150. Each embellished print is unique. Artwork is in excellent condition. Certificate of authenti...

Original acrylic and silkscreen painting on canvas. Hand signed on front by the artist. Studio stamp on verso. Canvas size 13.5 x 16.5 in. Framed size approx 23 x 26 in. Artwork ...

Original silkscreen with acrylic painting on canvas. Hand signed on front; signed. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Kerry Smith Talking Heads - 77 Mixed Media on PVC Year: 2022 Size: 25x23.5in Signed, dated by hand COA provided Ref.: 924802-1626 ------------------------------------- "Off The Rec...

Bardol Thodol literally means liberation through hearing and comes from The Tibetan Book of the Dead. Bardo is the transitional state between death & rebirth. Lovers of jazz and music in general will be all too aware of how one can be transported to this suspended state when listening to music. This state is expressed beautifully in the Tibetan Book of the Dead, and here we quote directly from it "remember the clear light, the pure clear white light...............Let go into the clear light, trust it, merge with it. It is your own true nature". Jazz Bardo, Heavens Gate...

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended with America’s rich culture and history, De La Nuez has created works of art that are considered timeless. Listed on the “Who’s Who List of the Most Collected Artists of Our Time,” his works are original, bold and outspoken. The artist is known for his distinctive, trademarked style called “Art on the Edge,” which is creating art on all sides of the canvas. This one-of-a-kind pop art painting measures 42 inches square. De la Nuez used Mixed Media, Acrylic Paint, and Oil Pastel on Canvas to create this original artwork. It is signed on the front and the back by the artist. The sides of this artwork are created as a continuation of the front and it does not require framing. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. Nelson De La Nuez was born in 1959 in Havana, Cuba, and came to the United States at age seven. He was raised in California. De La Nuez studied Art History at Boston University where he was inspired by the French Impressionist and Post-Impressionist periods. Though his paintings are clearly Pop Art, the subtle humor of artists like Edouard Manet and Pablo Picasso echo throughout his playful work. De La Nuez’s work hangs in some of the most prominent private collections of movie stars, directors, producers, comedians, and corporations. His work has been purchased by Sotheby’s for future auctions and his works sell out consistently at major international shows and fairs. Nelson De La Nuez tries to create a new generation of art lovers, drawing upon icons and art history to entice younger minds, in turn provoking the interest of the generation above them. The L.A. Times called De La Nuez “the comedic da Vinci of our times.” His ability to use non-related images to achieve a whole new and stimulating outlook on life has brought him many awards and published features. The artist continues to challenge himself to incorporate new and exciting ideas into his art and his style. He believes he is a success if his art inspires people to think beyond the norm. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern & Contemporary Art Show, CA 2018 Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Hong Kong, HK 2017 Corum Bubble Watch...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 47 inch high by 62 inch wide artwork depicts the portrait of a female figure. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted as a continuation of the front and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork on the back of the canvas. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Building on the synthetic intensity of digital art, her figurative style depicts a familiar but warped daily life. Alea Pinar Du Pre has been influenced deeply by the traditional fine art and design practices of Kunstlerhaus and Wiener Werkstaette, two artist societies with roots in Vienna, Austria. Paying tribute to her main influences, Alea describes her style as "Jugendstil Pop-Art". But where Pop art was stimulated by the iconography of materialism and the mass culture of its time, her vision is more intimate in its subversive intent. Alea Pinar Du Pre lives and works in Vienna, Austria. Her artworks are exhibited and collected in international hot spots across Europe, Asia, and North America. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 “Voltage,” Artplex Gallery Los Angeles, California Palm Springs Fine Art Fair, Artplex Gallery 2018 Singapore Artstage, Emmanuel Fremin Gallery “Layered Boldness,” Artplex Gallery, Los Angeles, CA Palm Beach Art Fair, Emmanuel Fremin Gallery “Frequencies,” Sol Art Gallery, Dublin, Ireland Artsource Ireland, Sol Art Gallery, Dublin, Ireland Vue Art Fair, Sol Art Gallery, Dublin, Ireland Istanbul Contemporary Art Fair, Sevil Dolmaci Gallery Group Show, Emmanuel Fremin Gallery AFF New York, Emmanuel Fremin Gallery Solo Show, Sevil Dolmaci Gallery Group Show, Ransom Gallery Artstage Singapore, Emmanuel Fremin Gallery, Singapore Wynwood Art Fair, Sol Art Gallery, Miami, FL AFF Battersea, Cube Gallery AFF Antwerp, Cube Gallery 2017 Scope Miami, Emmanuel Fremin Gallery, Miami, Florida Istanbul Contemporary Art Fair, Redart Gallery, Istanbul “FaceTime,” Solo Show, Sol Art Gallery, Dublin, Ireland AFF New York, Emmanuel Fremin Gallery, New York AFF Hong Kong, Emmanuel Fremin Gallery, Hong Kong Artsource Ireland, Sol Art Gallery, Dublin, Ireland Art Hamptons, Emmanuel Fremin Gallery, Southampton Cube Art...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Locket" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 34 inch tall by 26 inch wide oval artwork...