Seth Clark

Fragments I

2017

This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 48”h x 72”w. About the Collection // Continuing the artist's ongoin...

This drawing and layered paper collage titled "Mass Study XX" is an original diptych by Seth Clark. This piece is a mix of collage, charcoal, pastel, acrylic, and graphite on two woo...

This layered paper and drawing collage titled "House Studies Series VI" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

This layered paper and drawing collage titled "House Studies Series VIII" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through...

This layered paper and drawing collage titled "House Studies Series V" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...

This architectural wall-hanging artwork titled "In Isolation Series I" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pie...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

Pastel and Color Pencils on Hahnemühle paper 300g - Pastel, Drawing, flowers, Interior Work Title : Pansy and Vase Artist : Gabriel Riesnert (French a...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beau...

Two Women at Cafe Batia Magal, Israeli (1951) Acrylic and Pastel on Paper, signed lower right Size: 26 in. x 40.5 in. (66.04 cm x 102.87 cm)

Pastel and Coloured pencils on Hahnemühle archival paper 300g - Original Drawing, Interior, Flowers Work Title : Bouquet Artist : Gabriel Riesnert (Fr...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...