Unknown

Abstract Modernist Urban Skyline Landscape, New York City Harbor Lights

Gerome Kamrowski Midsummer Night, 1973 Signed upper left Acrylic on canvas 16 x 20 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in...

Clara Louise Bell (1886 - 1978) House on a Hill, circa 1935 Gouache on artist board 7 1/4 x 9 7/8 inches Clara Louise Bell (Mrs.Bela Janowsky) was b...

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Milton Derr, also known as Milton Johnson, was a painter, illustrator and educator. Born in 1932 in Milwaukee, Wisconsin, Derr studied at the Layton School of Art, Milwaukee, the School of the Museum of Fine Arts, Boston, and the Independent Group of Painters and Sculptors, Tokyo, Japan. He been featured in many exhibitions, including several sponsored by Northeastern University’s African-American Master Artists in Residency Program, the Federal Reserve Bank of Boston, the Museum of the National Center of Afro-American Artists, the Boston Museum of Fine Arts, and the Studwasio Museum of Harlem. During the Korean War, he served in the United States Air Force. In 1964, Derr joined the faculty at the School of the Museum of Fine Arts. He also taught at Tufts University. Derr describes himself as a figurative painter whose style falls somewhere between expressionism and impressionism. He has been included among the black...

Wolf Kahn Barns and Silos in New Jersey, 1985 Signed lower center Oil on canvas 28 x 34 inches An important member of the second generation New York School, Wolf Kahn is renowned fo...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Jean Cohen Untitled, circa 1960 Signed Lower Right: Jean Cohen Mixed Media on artist board 26 3/4 x 19 inches Jean Cohen was an important American painter whose work spans six decades. Jean Cohen lived on Tenth Street in Manhattan, and was a member of the vibrant Tenth Street Artists Galleries during the 1950s and 1960s. She was married to Alex Katz, was a member of the Area Gallery, and showed her work in the Tanager Gallery as well. She has paintings in the permanent collection of the Metropolitan Museum of Art, the New Jersey State Museum, Museum of Modern Art, the University of Maine, and the Whitney Museum of American Art. She has yet to be given the recognition she deserves. Born 1927 Washington Heights, New York Married to painter Alex Katz 1949-1956 Tanager Gallery NYC 1952-1962 Involved with painter John Grillo 1957-1962 Area Gallery NYC 1960-'65 Split time living between NYC and Provincetown c.1957-1980 Landmark Gallery, NYC 1972-1977 Co Founder in '72. Moved to Long Island '85 Died on Long Island, New York 2013 Education: Cooper Union 1945-1948. Studied with John Ferren, Nicholas Marsicano, Morris Kantor, Leo Manso...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Stark Welsh landscape from Abstract Impressionist Peter Rossiter Mixed media on canvas. Unframed

Mixed media on board

Abstract expressionist Peter Rossiter paints a view of Wales from memory. Mixed media on board. White wood frame.

2020, Oil on canvas

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...