Unknown

SPANISH COLONIAL TORTOISESHELL AND SILVER MOUNTED DOMED CASKET

1750 ca

My medium is digital collage, and my process involves photographing women in studio, allowing them complete autonomy in their poses. I then photograph paintings in museums and weave together the ideal elements from Old Master paintings to suit each woman. This work addresses religious art in the context of a canon of art history that expunges women and a religious history that subjugates women. This series depicts forgotten women martyrs and leaders, and challenge the erasure of goddesses by the power structures of the Patriarchy and the monotheism that have dominated Western Civilization. The work is an archival pigment print with applied gold leaf in an antique porcelain frame.

Katrina Revenaugh Piccolo Giardino Numero 4 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches (round) Signed: On Verso COA ...

My dedication to addressing environmental concerns through my sculpture has long been a subject for my work. By using my artistic voice to draw attention to the pressing issues facing our planet, I'm hoping to inspire change and raise awareness among viewers. The fabrication of the stretcher from brass and aluminum highlights my intentionality in material choice, symbolizing the intersection of human industry and natural resources. This juxtaposition of man-made materials with the organic form of the tree log creates a striking visual contrast that prompts viewers to consider the relationship between human activity and the environment. The use of a naturally hollowed tree...

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