Driftwood More Art

This sculptural head is made in Haiti from mahogany wood. The wood has a worn, dark brown patina. The carving is somewhat minimalistic, thus giving a modern twist to a tribal gesture...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente, describe form and color as their core of exploration. They admire the dual identity the two elements ...

Repousse sculptural plaque from the original Bezalel Art School in Jerusalem. This is marked "Made in Palestine" as it is from the British Mandate period. It is in an Orientalist design of the Tower of David. marked in Hebrew and English. Jerusalem's Bezalel School The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionist Congress of 1905, he proposed the idea of an art school in the Yishuv (early Jewish settlements), and in 1906 he moved to Israel and founded the Bezalel School of Art in Jerusalem. Bezalel, which was a school for crafts as well as for graphic art, became successful very rapidly. Schatz’s vision was to develop useful arts and crafts among Palestinian Jews, thereby decreasing the dependence on charity. At the same time, he sought to inspire his students to create a Jewish national style of the arts, in order to promote the Zionist endeavor. The inhabitants of 19th-century Palestine, both Jewish and non-Jewish, had produced mostly folk art, ritual objects and olive-wood and shell-work souvenirs, as well as oil painting, sculpture, tapestry and mosaics. So the founding of Bezalel provided a professional and ideological framework for the arts and crafts in Jerusalem. The school employed workers and students, of whom there were 450 in 1913, in manufacturing, chiefly for export, decorative articles ranging from cane furniture, inlaid frames and ivory and wood carvings, to damascene and silver filigree and repousse work. A major part of Schatz’s school was the workshops, which, starting with rug-making and silversmithing, eventually offered 30 different crafts. Workshops included the "Menorah" workshop where they designed relief and souvenirs made of terra-Cotta, and the Sharar, Stanetsky and Alfred Salzmann workshops where Menorah lamps...

Woodpecker Campephilus guat Contemporary Art, Sustainable Art Reclaimed Wood Limited Edition Signed About the artist The beauty of nature Davit Nava’s wo...

A delightful African maternity figure from the Lobi peoples of the Ivory Coast/Ghana. With a serene yet feisty expression, the mother is carry...

Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesoul, France and trained in eng...

This unique art piece is made of the original 35mm film of the movie, framed in an oak wood frame and lit with lit with RGB color changing LED light that can be controlled and light changed with smartphone app CONTROLLER for iOS and Android system. “I started by working with the idea of the large film...

Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesoul, France and trained in eng...

Questa maschera guatemalteca del inizio del XX secolo, scolpita in legno e utilizzata per la danza della Riconquista (Baila de la Conquista) , raffigura vividamente un uomo europeo, ...

"Henry," Basswood, Acrylic Paint, Milk Paint, Prismacolor, 8 x 4 x 2 1/2 nches, is one of an extensive series of intricately carved portrait heads in wood and paint by an artist who...

This work titled "Divine Assistance" is an original artwork by Jay Riggio made of paper, print, multi-layered UV resin and hand-shaped wood panel assemblage. The piece measures 15.5"h x 9"w x 1.5"d. Jay Riggio, a self-taught visual artist, was born in Long Island, New York in 1978. Utilizing original source material from discarded magazines and books, Riggio’s work brings new life to once forgotten imagery through complex, mixed media collages. His works depict dream-inspired stories through unique, surrealistic visual pairings: a reflection of the artist's interpretations on life, love, humor and the human condition. In addition to exhibiting work in galleries around the world, Riggio has done commercial illustrations for brands like Gather Journal, The New York Times, Brooklyn Magazine, Alice McCall...