Unknown

"Egyptian Scene, " a Cotton Textile

c. 1925

This Kilim rug was hand woven in Turkey, circa mid-20th century from wool. It features geometric patterning in red, black, blue, and yellow and is priced under $4500. The design is perfect with any décor as it completes both contemporary and antique interior design settings. As part of the Design Lovers...

The present work is an excellent example of the flags and banners of Haitian Vodun practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing the figure Gran Bwa (also Grand Bois, spelled on the flag "GRAИD BOI"). According to Patrick Arthur Polk, Vodun flags are meant to honor or invoke gods, as well as to depict their likenesses and attributes with dazzling displays of color. In addition, the beadwork may reference the African religious elements of Vodun which came to Haiti with African slaves. Haiti is an important part of the African diaspora and there is no other Caribbean nation that has such rich survivals of African-style music and dancing, and of religious beliefs and practices that relate to ancient African tradition. According to Polk, Gran Bwa, "ruler of the forest, is the master of herbal remedies. He also presides over initiations which require, at least symbolically, the secrecy of the forest’s darkest recesses. He normally appears as a tall, symmetrical figure that is half man and half tree." The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to Catholic imagery into traditional African symbols, values and rituals. Images like that of Gran Bwa are based off ritual drawings, or vévé, used to invoke the deity and to consecrate ritual space. Such vévé in Voodoo, unlike images appropriated from Catholicism or from popular culture, are probably based off of ground drawings from Central and West Africa. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 16.5 x 19.25 inches, artwork 24.25 x 27 inches, frame Polk, Patrick Arthur. Haitian Vodou Flags...

The present work is an excellent example of the flags and banners of Haitian Voodoo practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing Danbala (also Damballa and Damballah, spelled on the flag "DAMBALAH"). Danbala depicts the spirit or loa of life. In Vodun practice, Danbala Wedo, along with his wife Ayida Wedo, are representative of birth and creation. They are in essence the divine mother and father of the universe. In the iconography, they are usually depicted together as two serpents, or sometimes as a serpent and a rainbow. The snake is symbolic of power, knowledge, and wisdom. Danbala is an especially popular deity and is often represented alone as St. Patrick or Moses, as both of these Christian figures performed miracles associated with snakes. This vévé shows the typical image of two snakes intertwined on a pole, accompanied by two flags. The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to catholic imagery into traditional African symbols, values and rituals. Flags like this one are meant to honor or invoke gods, as well as depict likenesses or attributes using dazzling displays of color. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 11 x 13.5 inches, artwork 19 x 21.5 inches, frame Framed to conservation standards in a shadow-box using 100 percent rag matting and museum glass within a gold gilt frame. Polk, Patrick Arthur. Haitian Vodou Flags...

This textile is an excellent and unusual example of the work of Stacy Wiatrak, being both an artwork and a wearable garment. The artist uses appliqued ribbons, images of lilacs and b...

The Peruvian Chancay (pre-Columbian) Mummy Bundle mask, from around 1600 is made of painted wood, textiles, and human hair. According to the Walters Art Museum: Andean cultures are ...

This tribal cloth was created by an unknown artist from the Fulani tribe in Gambia, Africa. This tribe has a population numbering between 20 and 25 millio...

Calico Cotton, Vintage Fade Poly/Cotton and Denim, 69.5 x 83 inches, 2022 (Hanging hardware included) Julian J. Jones quilts made from images taken from the artist’s gestural, abstract drawings are inspired by traditional African American quilting...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Brand new in original sealed packaging (not shown) - never opened MEL BOCHNER Blah, Blah, Blah Limited Edition Mask, 2021 Machine washable lightweight fabric with three layers of pro...

Cuerpo Humano 2015, Ana Seggiaro From the Anatomy series Embroidery on canvas Unframed Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure...

Tracey Emin Be Faithful To Your Dreams, 1999 Limited Edition Embroidered Cotton Handkerchief with embroidered signature and accompanying card Embroidered date and signature, Edition of 500 16 × 16 inches Unframed (folded in packaging) Rare vintage collectible...