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Framed 20th Century Crewel Embroidery - Chrysanthemums

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A charming petit point needlework from the late 19th Century, showing a heartwarming scene of an elderly couple sitting in a close embrace in their home with the cat and dog at their...

A fine survival, this original 19th Century petit point embroidery with extensive beadwork shows two figures surrounded by a scrolling foliate border. Well-presented in a deep gilt w...

A delightful work of silk embroidery depicting a village scene with a church and cottage surrounded by elaborate flowers. Presented glazed in a white card mount and a wooden frame wi...

This fine silk work piece depicts Jesus Christ and Mary Magdalene in a walled garden. Completed in fine detail using various embroidery techniques to create different textures. Unsig...

An exquisite 20th Century embroidery using the most beautiful silk threads. The colours of the threads a wonderfully bright and the flat, directional stitches give the embroidery mov...

An outstanding early 19th Century silkwork embroidery on fabric canvas, with watercolour painted figures, depicting a classical bearded gentleman with a young girl in traditional dress. The scene has a religious air, with the girl pointing upwards towards the heavens. This work may depict the rise of Christianity over dominant Greek polytheism, with large columns seen in the background. Several gold objects...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

This tapestry is based on a design by William Morris (1834-1896). He was instrumental in the revival of the decorative arts at the end of the 19th century. This tapestry is French ...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitt...