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Hand-Needlepoint (48) Stars & Stripes

Classic 19th Century hand-needlework featuring a 'Boars Head' Canvas Sz: 26 1/2"Sq Frame Sz: 30"Sq w/ yellow mat & gilt bamboo frame

Colourful patch-panel c1960s pastel needlepoint houses/ rooftops Panel Sz: 22"H x 27 1/8"W Frame Sz: 24"H x 29 1/4"W w/ fuchsia mat & gilt bamboo frame Signed by the needlepointis...

Gilt bamboo framed sailfish linen pocket square featuring: Havana/ Miami/ Nassau/ Palm Beach/ & Bermuda c1950s Scarf Sz: 12 1/2"H x 12 1/4"W Frame Sz: 17"H x 16"W

Petit-needlepoint foxhunter w/ fox-head top centre Ex- equestrian estate in Chester Co, PA Sz: 14”H x 16”W Perfect library/ den/ club room accent piece either under tabletop glass...

Victorian silk needlework depicting palm tree & fishermen with nets Image Sz: 8 1/2"H x 13 1/8"W Frame Sz: 14 1/2"H x 18 7/8"W w/ gilt bamboo frame

'Cheetah' hand-needlepoint circa 1960s framed panel Image Sz: 23.75"H x 17.5"W 3.2 Lbs

Calico Cotton, Vintage Fade Poly/Cotton and Denim, 69.5 x 83 inches, 2022 (Hanging hardware included) Julian J. Jones quilts made from images taken from the artist’s gestural, abstract drawings are inspired by traditional African American quilting...

El conejo sobre la Luna (The Rabbit on the Moon), 2021

A signed, dated, 1970’s, acrylic, charcoal, paper and jute collage-on-canvas by notable, listed American artist, Stephen Edlich (1944-1989). Inscribed Majo, 1976-1977 on the reverse....

Graphic, elegant, acrylic polymer, jute, charcoal and paper collage on canvas notable, listed, American artist, Stephen Edlich (1944-1989). Inscribed "Untitled 112" on the reverse. S...

Gobelin in Six Parts Woven Battle with Horses in Red Blue Grey In Stock Gerti Bierenbroodspot is a leading Dutch painter, sculptor, writer and p...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...