Aaron Levy

Abstract Composition

C. 1960

Signed bottom left center and again verso along with title and date 1979. Bill Parker (from the Chase Gallery letter of December 6,1974) Born Texas 1922 Worked in Paris from 1951 o...

Ms De Pinna was part of the Provincetown modernist art movement and was a student of legendary artist/teacher Hans Hoffman. Vivian (Foster) De Pinna was a suffragist and an abstract...

A painter, lithographer, and muralist Claude Bentley was based primarily in Chicago, and was also a teacher at Layton School of Art in Milwaukee, Wisconsin; the Art Institute of Chic...

Provenance: Barry Friedman Gallery, Modernism Fine Arts, New York. Estate Stamped. Thilo Maatsch (1900-1983) Thilo Maatsch has an epiphany at age 16 when, having been taken to Berlin’s prestigious Avant Garde art gallery Der Sturm, he’s mesmerized by the work of Franz Marc, and determines to be an artist. Eleven years later, he’ll one day recall with pride, his work exhibits there. Born and raised in 1900 Braunschweig, Germany, Maatsch by age 18 forms "Gesellschaft der Freunde junger Kunst" (Society of Friends of New Art) with Rudolf Jahns and Johannes Molzahn. Its members include soon-to-be-famous Lyonel Feininger, Paul Klee and Wassily Kandinsky, who promotes Maatsch and becomes something of a father figure. Introductions to collector Otto Ralfs in Braunschweig and the esteemed painter Heinrich Vogeler in Worpswede over the next two years influence his expanding body of work. By 1922 Maatsch has a growing family to support, and as his art fails to provide this he begins training to be a teacher, a vocation he’ll fall back on repeatedly throughout his life. His first assignment is that of primary school teaching in Holzminden. 1924 sees Ralfs purchasing a Maatsch work and hanging it alongside the now well-known names of Mondrian, Kandinsky and Klee. The following year Ralfs launches an entire exhibition of the Society of Friends of New Art. Because of his day job, Maatsch is unable to realize his wish to study at the Bauhaus, the avant garde epicenter in Weimar and later, Dessau. But thanks to Kandinsky, Klee and Laszlo Moholy-Nagy, he’s allowed to occupy their studios and study with them during school holidays. His befriending of Kurt Schwitters during this time explains why Maatsch is often included in the so-called Schwitters Group. In 1925 he joins the Novembergruppe (November Group) and exhibits annually in the renowned Große Berliner Kunstausstellung (Great Berlin Art Exhibition...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

A textured "Cosmic Abstraction " that we attributed to Yeffe Kimball. While the work is unsigned the technique used with the blistering paint closely resembles her work. A dynamic mi...

"The Phoenix" by David Leviathan is a 28" x 40" oil on canvas that embodies the essence of abstract animal painting. In this work, Leviathan utilizes a palette of soft whites, creams, and earth tones, accented with vibrant strokes of red and gold, to depict the mythical bird rising from the ashes. The painting's style is characterized by sweeping, textured brushstrokes that convey the fiery rebirth and dynamic movement of the phoenix. The composition radiates a sense of renewal and hope, capturing the transformative power of nature and myth. Leviathan's approach is both evocative and ethereal, inviting viewers to consider themes of resilience, rejuvenation, and the cyclical nature of life. About the Artist: David Leviathan, born on August 6, 1950, in Kibbutz Givat Brenner, Israel, is a multifaceted Israeli artist whose talents span painting, sculpture, and poetry. After serving in the military, he studied at the Avni Institute of Fine Arts and worked under the guidance of Yehezkel Streichman...

Maria Poroy's "Love in Hard Times" is a 20" x 20" mixed media canvas that poignantly captures the resilience of the human spirit. The composition centers a...

"Rust" by Katheryn Holt is an 18" x 18" mixed media canvas that speaks in the subtle language of contemporary landscape abstraction. Soft, ethereal whites and greys form a serene hor...

"Steinbeck Re-Visited" by Robert Glick is a 20" x 16" oil on canvas that gracefully intersects the realms of contemporary abstract expressionism and geome...

I. 2011-2013. Paper, plastic glass, oil, 90x68cm

Feelings. 2019, hardboard, oil, 39x28 cm