Anne Russinof

Anne Russinof, Amaryllis, 2016, Oil on canvas, Color Field, Abstraction

2016

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Summer is Joanne Mattera’s time to work on paper. When she is fully engaged, as she has been with Riz, that time slides well into autumn. These are paintings on paper, oil and wax on...

Summer is Joanne Mattera’s time to work on paper. When she is fully engaged, as she has been with Riz, that time slides well into autumn. These are paintings on paper, oil and wax on...

Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. This work is part of the Fragments of Poetry and Silence series. The inspiration and the point of departure for this series is a poem by John Berger...

Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...

Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward el...

acrylic on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, no...

Artist: Warner Friedman, American (1935 - ) Title: Red, Black and White Stripes Year: circa 1965 Medium: Oil on Canvas, signed on label verso Size: 28 in. x 21 in. (71.12 cm x 53.34...

Here is where we meet (for John Berger) (Abstract Painting) Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to mu...