Items Similar to 331 Sunset in Ravello, Original Abstract Painting
Want more images or videos?
Request additional images or videos from the seller
Anne Schwartz331 Sunset in Ravello, Original Abstract Painting2018
2018
About the Item
331 Sunset in Ravello, Original Abstract Painting
49 x 42 (HxW), Oil Paint
Artist Commentary:
Original abstract oil painting. This painting is inspired by the Italian countryside, specifically a scene in Ravello.
About the Artist:
Anne Brawer Schwartz is a dedicated abstractionist whose painterly imagination remains grounded in the world of places and things. While pursuing a degree in Graphic Design from the University of Oregon and further studies at the Gemological Institute of America, Schwartz always maintained a painting practice, which she kept up during her 25-year career as a renowned couture jewelry designer. The legacy of her expertise as a designer is apparent in her abstract paintings and their considerations of detail, drawing, design principles, color, texture, and refracted light. Having some years ago rededicated herself to her painting studio, today her canvases have been shown in numerous group shows and are represented in collections around the world. She frequently works with art consultants and interior designers, placing her works in businesses, hotels, private homes, and design firms. Being based in LA, her paintings have naturally also been featured in numerous television shows and motion pictures.
- Creator:Anne Schwartz
- Creation Year:2018
- Dimensions:Height: 42 in (106.68 cm)Width: 49 in (124.46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Boston, MA
- Reference Number:
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2009
1stDibs seller since 2021
76 sales on 1stDibs
Typical response time: 8 hours
- ShippingRetrieving quote...Ships From: Pacific Palisades, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- LATE AUTUMN, Original Signed Contemporary Abstract Expressionist Oil PaintingLocated in Boston, MALATE AUTUMN, Original Signed Contemporary Abstract Expressionist Painting 30" x 40" x 2" (HxWxD) Oil on Canvas Hand-signed and dated by the artist. A large-format, subdued abstract ...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Study in Green, Original Contemporary Abstract Expressionist PaintingLocated in Boston, MAStudy in Green, Original Contemporary Abstract Expressionist Painting 24.0 x 28.0 x 1.0 (HxWxD), Oil Paint This work by artist Anne Ierardi strikes a balance between the rich, yet s...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil
- 408 The Hike, Original Abstract PaintingLocated in Boston, MA408 The Hike, Original Abstract Painting 48x60 (HxW), Oil Paint Artist Commentary: This oil painting reminds me of taking a hike along a path and exploring along the path interest...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil
- 406 Piazza in San Gregorio, Original Abstract PaintingLocated in Boston, MA406 Piazza in San Gregorio, Original Abstract Painting 48x60 (HxW), Oil Paint Artist Commentary: This is a big, juicy oil painting! With warm colors of oranges, yellows, and white. ...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil
- Fine Mess - Abstract Expressionist Oil Painting, 2012By Craig MoranLocated in Boston, MAFine Mess 22.0 x 30.0 x 1.25, 5.0 lbs Oil Paint on canvas Hand signed by artist Description: An original oil painting by Craig Moran. This Abstract Expressionist style painting us...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil
- Myriad - Abstract Expressionist Oil Painting, 2014By Craig MoranLocated in Boston, MAMyriad 16.0 x 20.0 x 0.12, 2.0 lbs Oil Paint on masonite Hand signed by artist Description: An original oil painting by Craig Moran. This Abstract Expressionist style painting use...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil
You May Also Like
- Diving for PearlsLocated in New York, NYDiving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- James Joyce's SmileLocated in New York, NYJames Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph VasicaBy Joseph VasicaLocated in Soquel, CALarge Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...Category
Mid-20th Century Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Red Composition by TOSHIMITSU ÏMAI - Contemporary, Abstract, Oil on canvasBy Toshimitsu ImaiLocated in London, GB*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Red Composition by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 80.2 x 55.3 (31 ⅝ x 21 ¾ inches) Signed, TOSHIMITSU IMAÏ, dated, 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, USA Born in Kyoto, Japan in 1928 Imai was part of the 20th century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Favuism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957, when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo Shimamoto...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- UntitledBy Roland PetersenLocated in Palm Desert, CAA painting by Roland Petersen. This Untitled, oil on canvas, abstract painting is executed in thick and lush impasto, in colors primarily of greens, blues, teals, white, red, ochre a...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil