Anthony Hunter

Black and White_Abstract_Expressionist_Dots_Red_Gloss on Panel_Anthony Hunter

AUDRA WEASER "Ocean Flight Diptych" Acrylic, Metallic Pigments, Plaster Paint on Panel 30 x 30 in. Each 30 x 60 in. Overall ___________________ Utilizing a minimalist color palette...

AUDRA WEASER "Gilded Falls" Acrylic, Metallic Pigments, Plaster Paint on Panel 48 x 48 in. Utilizing a minimalist color palette, Weaser’s process-based paintings are excavations o...

AUDRA WEASER "Ocean Flight I" Acrylic, Metallic Pigments, Plaster Paint on Panel 30 x 30 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

AUDRA WEASER "Ocean Flight II" Acrylic, Metallic Pigments, Plaster Paint on Panel 30 x 30 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paint...

AUDRA WEASER "Pearl Dives (Diptych)" Acrylic, Metallic Pigments, Plaster Paint on Canvas 60 x 40 in. Each; 60 x 80 in. Overall ___________________ Utilizing a minimalist color palet...

John CRASH Matos "Live and Let Live (Triptych)" Spray Paint on Canvas 40 x 48 inches Born John Matos in 1961, CRASH was raised in the Bronx, New York. At the age of 13, he began following the older teens from his neighborhood to the train yards and began bombing. Taking the name “CRASH” after he accidentally crashed the computer in his school, his name began appearing on trains circulating all throughout New York City. By 1980, he began transitioning from train yards to galleries. He curated the groundbreaking "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement that has remained very active through today. CRASH’s career took off and he saw instant popularity throughout Europe and America, and eventually Asia. CRASH has been part of numerous museum and gallery shows around the world focusing on Graffiti and Street Art, and has works in many permanent museum collections. Visually iconic, he has partnered with many companies for projects including Absolut Vodka, Fender Guitars...

Miami Real Estate Series

Born in 1951 in Los Angeles, Scot Heywood has pursued a course of non-representational, geometric abstract painting for more than 30 years. A self-taught artist, Heywood's works are ...

Don Giffin (American, 1948-2003) Phone in the Desert, 1999 Mixed media painting Hand signed Don Giffin, titled and dated (verso) 76 x 52 inches. (including ...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine...

This work is one of two similar works consisting of acrylic painted MDF of the same size. Based on a regular geometric pattern, the work is playing with proportion, repetition, symm...

Untitled (B2), 2015 (Abstract Painting) This work is one of two similar works consisting of acrylic painted MDF of the same size. Based on a regular geometric pattern, the work is ...