Armand Delatour

Refraction (Contemporary Wood Panel Painting)

2022

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

(Very difficult to photograph inside the case with glass front, so we took one outside the case. A video is included that we hope helps, thought it suffers from reflections on the gl...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

Artist's Statement "This series of relatively large, intensely colorful paintings was begun in reaction to the gray oppressive weight of the social and political polarization that h...

The idea behind the picture is to use recycled materials. There are three materials, aluminium, canvas and wood. I like the simplicity and the color, I ll personally like it as it is.

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

Abstract geometric, pop art style, three-dimensional wood wall sculpture in burgundy, yellow, and white, with accents of royal blue "Nagamba", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2022 24 x 24 x 3.5 inches Carved wood and acrylic on three tiered panel Signed, verso This abstract, three-dimensional wall sculpture was made by sculptor, Stephen Walling, in 2022. The work is composed on a three tiered wood panel, painted a deep burgundy. Hand carved wood blocks...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Abstract geometric three-dimensional wood wall sculpture in a rich palette of brick red, burgundy, and cream "Piquante", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...