Aron Hill

Monument with Faded Sun No.2 - colorful, abstract shapes, acrylic on canvas

2021

A brilliant yellow sun peeks out behind hot pink, deep blue and contrasting black shapes in this abstract landscape by Calgary artist Aron Hill. This is one of a series of acrylic paintings they recently created. Conceptually, Hill’s work finds company in the art of famed modernist Jack Bush. The background color shifts and lightens toward the top of the work. “In the last year I’ve become really comfortable with what I’m doing. I think I stopped asking art...

Strong, simple geometric shapes in bright colours—royal blue, red, navy and lavender create a fresh and fun scene in this new work by Calgary’s Aron Hill. This is one of a series of ...

Calgary’s Aron Hill continues his exploration of colour and form in this fun minimalist painting. Inspired by modernists like Jack Bush, in this piece Hill plays with organic shapes ...

This lyrical abstract composition—a landscape re-imagined is by Aron Hill. The Calgary artist often creates work that features nature—a sun, leaf-like shapes, rocks. These organic fo...

Brilliant bright colours of yellow, green, blue, orange and red immediately engage the viewer in this bold acrylic painting by Calgary artist Aron Hill. Conceptually, Hill’s work finds company in the art of famed modernist Jack Bush. “In the last year I’ve become really comfortable with what I’m doing. I think I stopped asking art...

Aron Hill enjoys playing with bold colour and simple form. This abstract composition by the Calgary artist features a white oval ringed in black above a rainbow of colour—arched band...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic concept, also frequently used in everyday life. It is also linked to the Mahāyāna Buddhist philosophy, in which the doctrine of emptiness is central MA, intended as "void full of meaning", used in art «An imaginary room that is in an indefinite position between the sky and the earth, is said to be the original way to represent the concept of but. We imagine both spatial and temporal uncertainty simultaneously: the room is neither in one place nor in the other, it is in an indescribable space " Delineating space spontaneously marks non-outlined voids, which is where freedom of interpretation and reflection can fill it up. This empty space is profoundly beautiful, full of mystery and promise. In significant ways the empty space contributes a unique quality of structure, balance and definition in a composition. In this series, extra attention is paid to the structures and textures of original and natural materials, and organic shapes. For the beholder, the empty space is calming as well as energizing. Mahmoud Saleh Mohammadi...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic c...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic c...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic c...

Untitled 6 by Philippa Anderson [2019] Implied abstract imagery reveals conflict between beauty and desolation ,whilst Romanticism and Modernism combine with clashing qualities of dr...

This colourful contemporary abstract is, as the name might suggest, inspired by leaves unfurling and nature bursting back into life in the wake of spring. Catherine Pennington-Meyer is available at Wychwood Art online and in our gallery. Catherine is an award-winning artist who currently lives and works near Munich, in Germany. Her work concentrates primarily on abstract expressionism. Catherine has participated in exhibitions throughout Europe and has quickly established a prestigious international collector base. Catherine says of her art: `I see my painting as a kind of language, translating what I feel or experience to those viewing it. I am innately drawn to create raw, emotive, expressionist pieces, mostly abstracts, which distil a subject down to its feeling. I don`t only want my art to be `beautiful` but for it to reach out and touch the person who is viewing it on an immediate, intuitive level. I want my paintings to speak to their audience in their own visceral language. I am influenced by nature, particularly the multifaceted nature of water, and memories of growing up in particularly beautiful landscapes in North Yorkshire and Scotland. I also find human psychology and science fascinating. But I see compositions everywhere, whether it be flowers in a park, the way smoke curls, books on a library shelf or a street market. Everything is made up of shapes and colours. The world is a constant source influences and inspiration.’ Over time, as her work has developed, she has been increasingly compelled towards abstraction, through which she feels able to communicate an energy which is untethered by the constraints of realism. She enjoys playing with light, depth and movement in her art to give it immediacy and to draw a viewer into the composition. Catherine also enjoys poetry, and her works occasionally have accompanying narratives. Catherine views visual and written art...