Ben Abou Nassif

Untitled

Mobile reliefs with moving patterns operated by motors that alter space-colour ratios, initially in black and white and later colour. Very slowly, the parts changed, were separated a...

Since the 1940s, the Egyptian painter Hamed Abdalla is not only a visionary pioneer of modern art for the global south and Arab countries; he is also one of the first of his generation to envision painting as political art and activism. The current display focuses on a specific time of defeat and disillusion for a whole generation of Arab artists and intellectuals, in the aftermath of the “Six Days War” led by Israel and their allies (a war title which a lot of Arab activists consider propagandist, preferring to call it “The Defeat of 1967” or simply the “June 1967 War”). This persistent ideological wound became the symbol of failed dreams for the “Arab Nation” or Arab states alliances – including the short but emblematic Egyptian-Syrian achievement of the United Arab Republic. Another major failure, to which Abdalla will respond through the paintings on display here, is the Egyptian President Anwar Sadat program of “opening up” (Infitah) the Egyptian economy and give way to political compromise with the US and Israel – Abdalla assimilating this period to a vast state of Coma for all Arab people and territories. In a collective statement by a group of Egyptian artists exiled in Paris (including Abdalla), published in the Egyptian local journal Al-Dustur, on 5 December 1977, one can read: “This disaster is far greater than the defeat of June 1967. Rather, it approaches the scale of the disaster that took place in 1948 (…) To destroy the Arab people’s noble three decades-long struggle against imperialism and Zionism (…) Sadat is exploiting the stifling economic crisis that Egypt is currently facing (…) We must resist this betrayal of our nation or be crushed under the wheels of global imperialism for generations to come.” The works presented here reflect Abdalla’s transformation of the Hurrufiyyah aesthetics, to achieve his own way of “Arab Letterism”. It claims for a deeply experimental, non-decorative, politically committed and non-commercial use of the Arabic letter...

Born to an Italian family in 1915 in La Plata, a province of Buenos Aires, Luis Tomasello's first work experience was with his father, a bricklayer, carpenter, and painter. As a teenager, he began his artistic studies by taking evening drawing classes before joining the Escuela Nacional de Bellas Artes Prilidiano Pueyrredón in Buenos Aires from 1932 to 1938. Two years later, he enrolled at the Escuela Superior de Bellas Artes Ernesto de la Cárcova, where he studied until 1944. In the mid-1940s, young artists in Buenos Aires were challenging representational traditions in art; Tomasello met painters Emilio...

B. Yaghi is a Lebanese contemporary artist born in 1984. Having lived in several countries, B. Yaghi soaked up the rich cultures of Beirut, London, Miami and Dubai, and was immersed ...

George Merheb was born in Lebanon in 1960 where he currently works and resides. He obtained a Master’s degree in Drawing and Painting from the Lebanese University of Beirut, Lebanon....

Mathias Schmied is a Franco-Swiss artist born in Bern in 1976. He is a graduate from the NationalSchool of Fine Artsin Lyon. He lives and works in Paris.Mathias Schmied has been cut...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. With a unique artistic approach, Leas draws inspir...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Metropolitan Museum of Art, New York; The National Gallery of Art, Washington, D.C.; the Brooklyn Museum; The Walker Art Center, Minneapolis, Minnesota; the Albright-Knox Art Gallery, Buffalo, New York; the Baltimore Museum of Art; the Butler Institute of American Art, Youngstown, Ohio; and the Nelson-Atkins Museum of Art, Kansas City, Missouri. The estate of Louisa Chase is now represented by the prestigious gallery Hirschl & Adler Modern in New York City. We are pleased to offer this original Acrylic enamel, Watercolor, ink and pencil painting by Louisa Chase created in her classic abstract energetic style. It is from the former collection of the General Electric Corporation. Paper size is 25.5 x 40" The framed size is approx. 33x48". Louisa Chase exhibited at the 1984 Venice Biennale. Her solo exhibitions include: Brooke Alexander Gallery...

Sunil Das - Untitled - 66 x 60 inches (unframed size) Oil, Acrylic & Coins Gold Foil on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...