Items Similar to Carl Holty Abstract Oil Painting "Riviera" in Primary Colors
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Carl Robert HoltyCarl Holty Abstract Oil Painting "Riviera" in Primary Colors1950
1950
About the Item
SALE ONE WEEK ONLY
"Riviera" is an exquisite painting of American Modern - primary colors actively composed in energetic movement and structure on the painted surface. These colors formulate the painting, play both for and against each other and create a lively surface with hints of either an architectural structure or freeway. This painting hints to future Modernists such as Richard Diebenkorn "Driveway" and David Hockney "Garrowby." Unframed the piece measures 18 x 24.
"Riviera" is signed on lower left. On verso is Provenance of over 70 years, 3 galleries in New York and one in Detroit, Michigan: Andrew Crispo Gallery, Sid Deutsch Gallery and Linda Hyman Gallery in New York and Collected Detroit Gallery in Detroit, Michigan.
Abstractionist Carl Robert Holty was known for his biomorphic abstract forms as well as the geometric abstractions he painted with his vibrant color palette. Born in Frieburg, Germany his family immigrated to the United States settling in Wisconsin. In 1919, he enrolled at the Art Institute of Chicago, and shortly thereafter attended the Parsons School of Design. He spent a short time at the National Academy of Design and studied with Francis Coates Jones, younger brother of H. Bolton Jones, the well-known landscape artist.
He studied at the prestigious Hans Hofmann's school where he was exposed to the world of Abstract Expressionism—a style that would come to define much of his future work. Despite his short tenure there, he maintained a personal friendship with Hofmann, and continued to incorporate Hofmann's teachings into his work.
Holty’s early work shows influences of Fauvist colors and the work of French artists Maurice de Vlaminck and André Derain. He traveled extensively throughout Europe and Northern Africa. The artist Robert Delaunay sponsored Holty's membership to Paris's Abstraction-Creation Group, where Holty found greater artistic acceptance than at home in the US. Upon his return to the United States, Holty played a major role in the establishment and successful operation of the American Abstract Artists organization in New York which is still flourishing today. This organizations’ members include Josef Albers, Eames, Jean Arp, Louise Bourgeois, Lee Krasner, Fernand Leger, Sol Lewitt, Al Loving, Brice Marsden, Piet Mondrian, Louise Nevelson, Laszlo Moholy-Nagy, Hans Richter, and Richard Tuttle. Holty was chairman in 1938 and exhibited his work with them until his departure from the group in 1944. He also surrounded himself with his old friends from Europe, including Hans Hofmann, Vaclav Vytlacil, and Stuart Davis. His strong advocacy for modern art brought the American art scene exposure to emerging styles, and helped to establish him as a leading American Abstract painter.
- Creator:Carl Robert Holty (1900-1973, American)
- Creation Year:1950
- Dimensions:Height: 22 in (55.88 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Detroit, MI
- Reference Number:1stDibs: LU128615435531
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2019
95 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Detroit, MI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying EyeLocated in Detroit, MI"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...Category
Mid-20th Century American Modern Abstract Paintings
MaterialsOil, Masonite
- "Falling Squares" Abstract, Linear, Muted Colors, AcrylicBy William AntonowLocated in Detroit, MISALE ONE WEEK ONLY "Falling Squares" is a rich gouache painting by William Antonow. Though the colors are muted they blend in a harmony that contrasts slightly with the falling squares that bring a movement to the piece. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Other well-known individuals who taught or studied at Wayne State University and are connected with the arts are Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem, Helen Thomas, Sergio DeGuisti, Stanley Rosenthal...Category
Late 20th Century American Modern Abstract Paintings
MaterialsPaper, Acrylic
- "Untitled", Colorful Abstract Landscape, Oil on Canvas, Signed by ArtistLocated in Detroit, MIThis small multicolor abstract is an exemplary work of Mexican-American artist Nora Chapa Mendoza. This vibrantly colorful landscape is oil on canvas and exhibits the cool colors that evoke images of a Mexican or American Southwest desert sunset. The painting is signed by the artist and this work comes with the metal easel that is seen displayed in the photos. Nora Mendoza...Category
Late 20th Century Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Beyond the Wall" Oil on Canvas, Brilliant Blues, Red, Abstract ExpressionistBy Robert PiatekLocated in Detroit, MIRobert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "In the Beginning" Abstract, Brilliant Colors of Blue, Red, Yellow, OilBy Robert PiatekLocated in Detroit, MIRobert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Red Harmony" Abstract, Geometric, Colors, Bright Red, GreenBy William AntonowLocated in Detroit, MISALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...Category
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- No. 3 -1960By Stanley TwardowiczLocated in New York, NYSigned (on stretcher): Stanley Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hards...Category
Late 20th Century American Modern Abstract Paintings
MaterialsEnamel
- Yours TrulyBy Arthur DoveLocated in New York, NYYours Truly is a work of 1927, a fertile year for Dove, capped by a solo exhibit at Stieglitz’s “The Intimate Gallery,” which included this picture. From 1924 through 1930, Dove produced a notable series of collages, interspersed with drawings, pastels, and oil paintings on a variety of supports. In 1927, the same year that Dove painted Yours Truly, he found inspiration in American popular music, often referring in his titles to works by George Gershwin and Irving Berlin. Yours Truly was the title of a Broadway musical that opened at the Shubert Theater on January 25, 1927. Gene Buck, the producer, had collaborated with Raymond Hubbell, the composer, on the Ziegfield Follies shows of 1923, 1924, and 1925. The production, which contained the title song, “Yours Truly,” ran for 127 performances, closing on May 14, 1927. Given the context of Dove paintings...Category
1920s American Modern Paintings
MaterialsOil, Canvas
- UntitledBy Louisa ChaseLocated in New York, NYLouisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...Category
20th Century American Modern Abstract Paintings
MaterialsCanvas, Oil
- UntitledBy Louisa ChaseLocated in New York, NYLouisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...Category
Late 20th Century American Modern Abstract Paintings
MaterialsOil, Canvas
- HugBy Louisa ChaseLocated in New York, NYLouisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...Category
20th Century American Modern Abstract Paintings
MaterialsCanvas, Oil
- UntitledBy Louisa ChaseLocated in New York, NYOil on canvas, 11 x 10 in.Category
Late 20th Century American Modern Abstract Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Vintage Blue Green Paint
Vintage Blue Palette
1950 Oil Paintings Of Paris
Blue Red France Painting
Blue Red Painting France
Mid Century Abstract Expressionism
Retro Blue Palette
Midcentury Abstract Expressionism
German Painting 1950
Vintage Green Paint Colors
Detroit Michigan
Oil Paintings Michigan
Retro Primary Colors
Geometric Blue Paintings Oil Paintings
Oil Painting With African American
French Riviera Art
African Red Painting
Art Primary Colors Signed