Carol Jablonsky

Folk Art Collage Painting "Letter in a Bottle" Carol Jablonsky Woman Artist

mixed medium (wood, acrylic paint etc) sculptural piece. 3D Sculpture/painting piece Bruce Robbins, shows at Marlborough Gallery in New York City. born in Philadelphia, graduated fro...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Boat Moon, in vivid blues a range of blue tones on Arches Paper. not framed. Signed, titled and dated verso. Francine Tint is a New York-based American abstract expressionist painter and costume designer. Tint studied at the Pratt Institute and the Brooklyn Museum College. Tint began showing her work in various galleries in the 1970s. Her early paintings are gestural and lyrical, with many circlings, loopings, and expressionistic brushstrokes. In her later work, the color takes on more of a force, more taut and with more surface tension. Her work has been exhibited in nearly thirty solo shows and nearly fifty group shows in the United States and Europe. Tint is also in the permanent collection of numerous museums including the Clement Greenberg collection at the Portland Art Museum as well as the Krannert Art Museum in Champaign, Illinois. Her work is in many private and corporate collections She has represented by ACA galleries, Denise Bibro Fine Art, Inc. in Chelsea, NY and Gallery Sam in Berkeley, CA. Tint lists painters Antoni Tàpies, Larry Poons, Hans Hofmann, Jules Olitski, and Helen Frankenthaler as her primary influences. Tine also worked for many years as a television and film costume...

Bermuda Triangle, in vivid metallic tones, gold and bronze, on Arches Paper. framed. Signed, titled and dated verso. Size includes frame. This is an a...

PATRICK ARCHER (American b. 1926) Signed and dated at lower right, signed and titled on label verso. Abstract landscape with vibrant dayglo fluorescent colors Palm Beach Florida artist Patrick Archer (b. 1926). Archer studied at the California College of Arts and Crafts (MFA) Archer has exhibited widely including recent exhibitions at the Vero Beach Museum of Art, the Boca Raton Museum, and the Merrill Lynch Gallery in New York. Archer's work is in the collections of the Albright Knox Gallery (a work similar to the one offered here), Vero Beach Museum of Art, the Silvermine Guild, and the Society of Four Arts in Palm Beach. Taught Painting, Drawing, Design, Architecture, History & Appreciation, and introduced a concentrated program in Color and Theory (under the advisory-guidance of Faber Birren.) Worked directly with Reuben Hale, Jim Houser, Pat Slattery, Gene Arant, Richard Frank...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...

OIL ON CANVAS Shipping from Belarus, Minsk.

oil on canvas 24 x 24 inches, unframed Charming Manhattan cityspace scene painted in a naive style. Yellow taxi drive alongside abstracted buildings paint...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Orange and blue contemporary landscape original wall art.

Contemporary fictive landscape with shape and color as pathways to the imagination. Evoking memories, awe and wonder with its autumn colors of blue, orange, green and yellow. Origi...

This painting emerged from the environment where I was painting. At an artist residency in New Smyrna Beach, Florida, I had been enjoying the foliage...