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Charles EckartPaintscape No.272016
2016
About the Item
Growing up in Yosemite Valley in the 50s, Charles Eckart was surrounded by majestic beauty in a place where long hikes and the change of seasons might well turn the creative mind inward. Eckart made a name for himself painting the abstract figure. He caught the eye of Allan Stone in New York, who brought them to Charles Campbell’s attention in San Francisco.
In the 1990s Eckart turned his attention toward the landscape creating richly layered color fields. These are intelligent paintings often taking months to complete. The deliberate application of pigment results in a luscious surface and incredible depth inviting close study and discovery of the intensity within.
Charles Eckart attended the University of the Pacific, the Art Center of College and Design in Los Angeles and the San Francisco Art Institute. He exhibited regularly with Charles Campbell Gallery from 1980 to 1989 and then with the CampbellThiebaud Gallery from 1990 to 2000. His work has been reviewed frequently by writers from Alfred Frankenstein and Thomas Albright to Mark Van Proyen and Kenneth Baker. The Triton museum recently held a retrospective four decade long career. His work is held in numerous public and private collections.
- Creator:Charles Eckart (1935, American)
- Creation Year:2016
- Dimensions:Height: 35 in (88.9 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Mill Valley, CA
- Reference Number:1stDibs: LU35531238803
Charles Eckart
Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He attended the University of the Pacific, the Art Center of College and Design in Los Angeles and the San Francisco Art Institute. He exhibited regularly with Charles Campbell Gallery from 1980 to 1989 and then with the Campbell-Thiebaud Gallery from 1990 to 2000. Originally a painter, he started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development. After focusing on the figure for many years, his work changed to landscape after he moved from San Francisco to Point Reyes in 1985. Eckart's work has developed from early expressionist figurative images to the current abstracted landscapes, reflecting a strong gestural style and an emphasis on texture and energy. The most recent etchings, the Ground Cover series, are taken from direct observations of the intimate landscape. They could be called painter's prints because they are created more closely to the way a painting is constructed: by building up layers of pigment.
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