Items Similar to Saturday
Want more images or videos?
Request additional images or videos from the seller
Chris GwaltneySaturday2021
2021
About the Item
CHRIS GWALTNEY is a painter from Southern California. He paints in a lush style, combining areas of abstraction with loose figurative elements. He experiments with sensuous surface finishes, compiling multiple layers of paint and oil stick that show drips and various markings. Gwaltney’s paintings are open ended; the style is free and unfinished which allows the viewer to fill in the essence of each story.
The current body of work revolves around the theme of “rallentando”, an Italian musical term that means “to slow down”. Gwaltney’s ruminations on time in these paintings are reflective of a new stage in his life after his children are grown and both his own father and father-in-law have passed. The artist finds himself taking the role of patriarch of the family and he is struck with the desire to slow down time and to find a point of stillness.
In these paintings the figure is expressed as a gesture, a presence simply articulated with line and stroke, often seen as walking alone or in relation to one or more figures. He builds and sketches on the canvas, taking away what is unnecessary, paring down the visual language. In this - and in his interest in color relations, he might be compared to Milton Avery, although he is more likely to site artists like Richard Diebenkorn and Nathan Oliveira.
- Creator:Chris Gwaltney (1953, American)
- Creation Year:2021
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Park City, UT
- Reference Number:1stDibs: LU48338191032
Chris Gwaltney
Balancing between abstraction and figurative, the works of Chris Gwaltney are evocative, luminous, and lush. He balances color with unexpected washes and scribbles; scraping physically from the surface as he generously slaps paint onto the canvas. Having studied Bay Area figurative painters - such as Richard Diebenkorn, Nathan Oliviera, and David Park - and influenced by the works of Joan Mitchell and Robert Motherwell, Gwaltney begins each work with a conversation in mind. He often starts with a vertical gesture, builds with foundations of layers, and allows the composition to reveal itself as he works. Gwaltney lives in Laguna Beach and holds a BA and MA from the University of California State Fullerton. He has exhibited throughout the US, including Peter Blake Gallery (Laguna Beach, CA), Seager Gray Gallery and Robert Green Fine Arts (Mill Valley, CA), Cadogan Contemporary (London, England), Anne Loucks Gallery (Glencoe, IL), Julie Nester (Park City, UT), and Tria Gallery (New York, NY). His work has garnered an international following and resides in numerous public and private collections.
“Because his abstractions in progress bristle with visual interest—including an icing of drips and tangles of wild line—as each work moves toward its conclusion, Gwaltney plays the role of an editor, eliminating anything that he feels stands in the way of expressive clarity. “I think that what great poets do is distill feeling,” he comments. “I want to do the same thing in painting and present the absolute essence of an emotional state.” Because of his rigorous quest for pure feeling, viewers of Gwaltney’s work should understand that the essence of his art is this: what is left is what is needed.” John Seed, Art Writer
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2016
33 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Park City, UT
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Red EdgeBy Chris HaymanLocated in Park City, UTIn my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the painti...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil
- Territory IIBy Chris HaymanLocated in Park City, UTIn my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the painti...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil
- Across the FieldBy Chris HaymanLocated in Park City, UTIn my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the painti...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil
- Wild North CountryBy Chris HaymanLocated in Park City, UTIn my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the painti...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil
- White Eagle CountryBy Chris HaymanLocated in Park City, UTIn my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the painti...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil
- Inside OutBy Nicholas WiltonLocated in Park City, UTNICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...Category
2010s Abstract Abstract Paintings
MaterialsOil
You May Also Like
- Diving for PearlsLocated in New York, NYDiving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- James Joyce's SmileLocated in New York, NYJames Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph VasicaBy Joseph VasicaLocated in Soquel, CALarge Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...Category
Mid-20th Century Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Red Composition by TOSHIMITSU ÏMAI - Contemporary, Abstract, Oil on canvasBy Toshimitsu ImaiLocated in London, GB*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Red Composition by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 80.2 x 55.3 (31 ⅝ x 21 ¾ inches) Signed, TOSHIMITSU IMAÏ, dated, 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, USA Born in Kyoto, Japan in 1928 Imai was part of the 20th century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Favuism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957, when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo Shimamoto...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- UntitledBy Roland PetersenLocated in Palm Desert, CAA painting by Roland Petersen. This Untitled, oil on canvas, abstract painting is executed in thick and lush impasto, in colors primarily of greens, blues, teals, white, red, ochre a...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
After Diebenkorn
After Richard Diebenkorn
Paintings Of Music Gold Frame
Russian Painted Table
Catherine Deneuve
West Branch
John Candy
Baltimore Md
Collage Picture Frames
Saint Mexico
Sacred And S
Gothic Oil Painting
Thanksgiving Painting
Symmetry In Nature
Contemporary Nicole
Pale Pink Painting
Inlaid Heart
Robert Wood On Board