Claude Gaveau

French Modernist Fauvist Oil Painting Claude Gaveau School of Paris

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on its original canvas. Title: “Composition” Signature: Signed upper right Medium: Oil on original canvas Provenance: Private french collection Size: c. 24 x 29 inches unframed Claude Gaveau (1906 - 1970) is a French painter born in Neuilly-sur-Marne in 1940. The painter was born near Paris and studied there as well as in Belgium. He comes from a family of artists, his grandfather was the creator of the Jardin des Plantes in Paris. He is passionate since very young about painting and entered the Ecole des Arts Appliqués in Paris in 1955 where he studied mural art for five years, stained glass, tapestry, mosaic and fresco. In 1960, he studied at the Ecole Supérieure des Beaux-Arts in Paris, becoming equally accomplished in oil painting, watercolor, drawing and lithography, pastel and gouache. Influenced by great Post Impressionist painters such as Paul Cézanne, George Braque and Raoul Dufy, Gaveau gets inspired as well by music and lyricism. His talent was quickly recognized, in 1963 he won his first prize and obtained a scholarship from the Academy of Antwerp, Belgium which allowed him to study Flemish painting in Brussels. In 1965, with only 25 years, he made his first solo exhibition at the Angle Aigu Gallery in Paris. His career took a real turn in 1968 when he was nominated for the "la Critique Parrainé" Award by the Saint Placide Gallery in Paris. A recurrent traveler, the landscapes he observes all around the world allow him to broaden his artistic palette. Other exhibitions of his work followed during the 1960’s and 1970’s in France with the Galerie Vauban in Dijon in 1967, 1968 and 1970; with the Galerie Saint Placide in Paris in 1968; with the Galerie Marc Hudier in Belfort in 1970; and three one-man shows with the Galerie La Belle Gabrielle in Paris in 1972, 1975 and 1978. In 1980 Claude Gaveau had his first one-man exhibition with Wally Findlay Galleries...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, who...

This piece is done in a sort of sgraffito technique with the flowers sort of etched in the paint. Born in Tokyo, Japan, Nobu Fukui Came to New York where he became a US citizen. From 1964 - 65, he studied at the Art Students League in New York City. His work has been widely exhibited in New York and California. He had his first one-man show in this country in 1965 at the Daniels Gallery in New York. That same year his works were included in the Japanese Artists in Europe and America Exhibition at the National Museum of Modern Art in Tokyo. This was followed by numerous exhibits and one-man shows in various cities in the United States and Japan - New York, Indianapolis, Ann Arbor, Pittsburgh and Yokohama, for example. Fukui's works are formal, dynamic and abstract. Form functions minimally as a symmetrical structure so as to focus on his real interest in color interaction. Fukui's work is represented in the collections of The Museum of Modern Art, New York City; Larry Aldrich Museum, Conn; Dartmouth College, NH; New York State University, Potsdam NY; Roosevelt College, Chicago IL; Westinghouse Corp, The National Museum of Modern Art, Tokyo, Japan; The New Britain Museum of American Art, New Britain, CT; The Indianapolis Museum of Art, Indianapolis, IN and The Eli and Edythe Broad Art Museum, East Lansing, MI, Indianapolis Museum of Art; National Museum of Modern Art, Tokyo and National Museum of Modern Art, Kyoto, Japan; amongst others. and other private collections. He has exhibited widely, including solo shows at Daniels Gallery, Max Hutchinson Gallery, Marisa Del Re Gallery, and Steven Haller...

Lowell Nesbitt (American, 1933-1993) Flower, 1978 tempera on board 60 1/2 x 40 1/2 inches. Provenance: Sold: Christie's East, May 18, 1999, Lot 224 Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings...

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965) American painter and printmaker. Born in Brooklyn Heights, Beulah (Elsie Sloan) Stevenson lived there her entire life. In New York she studied at the Pratt Institute and the Art Students League, where her instructors included Ashcan artist John Sloan; in Provincetown, she worked and studied with Abstract Expressionist artist Hans Hofmann (an influential teacher whose students included many notable artists including Lee Krasner, Helen Frankenthaler, Irene Rice Pereira, Gerome Kamrowski, Fritz Bultman, Wolf Kahn, Marisol Escobar and Beulah Stevenson), a long-time curator at the Brooklyn Museum, was also among his pupils. Her work appeared in many group shows, and she won a number of awards. She was a curator at the Brooklyn Museum for many years, and that museum owns a number of examples of her work, as do the Library of Congress and the New York Public Library. Stevenson maintained many professional associations during her career; she was president of the New York Society of Women Artists, a board member of the National Association of Women Artists, and a vice-president of the Brooklyn Society of Artists, Art Institute of Chicago, International Graphic Society Inc., Philadelphia Print Club, Provincetown Art Association and the Creative Artist's Association. She also belonged to the American Artists' Congress which promoted social-realist style of American scene painting, she left to join the Federation of Modern Painters and Sculptors established To Promote Avant-Garde Art. Stevenson was said by a friend to have destroyed many of her papers prior to her death, but a collection was donated to the Archives of American Art at the Smithsonian Institution. Select Group Exhibitions Art Institute of Chicago; , Library of Congress, Washington, D.C.; Print Club of Philadelphia; National Arts Club, New York; Metropolitan Museum; Whitney Museum; Brooklyn Museum; Chicago Art Institute; Pennsylvania Academy Of Fine Arts; Rochester Memorial Museum; St. Paul Museum; M. H. De Young Memorial Museum Of Art; Houston Museum Of Art; William R. Nelson Museum Of Art; Columbus Museum Of Art; American Institute Of Graphic Arts; Provincetown Art Association; Columbia Museum Of Art; Schenectady Museum Of Fine Art; Portland Museum, ME; Royal Society, London; Gallery O...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

"Gathering no. 2" by Alyson Kinkade 9" x 9" oil on canvas 11x11" framed in black floater style "One of a handful of still life paintings I've done over the years. This one features dried Chinese Lantern plants in a simple black vase...

'Adam & Eve" is a figurative painting featuring hues of blue, lime green and yellow. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard...