Clayton Gorder

Radio, Painting by Clayton Gorder circa 1970

circa 1970

Artist: Peter Max Title: Grammy Year: 1991 Medium: Acrylic on Canvas, signed upper right, with Max studio verso Size: 60 x 48 inches (152.4 x 121.92 cm) Frame: 63 x 51 inches Max wa...

Artist: Max Epstein, Canadian (1932-2002) Title: Maple Syrup Year: 1976 Medium: Acrylic on Canvas, signed and dated Size: 33 x 33 in. (83.82 x 83.82 cm)

This painting was created by Canadian artist Max Epstein. Epstein's paintings, like this one, often feature Canadian motifs and bright colors. This painting is signed in the lower ce...

Artist: Michael Knigin, American (1942 - 2011) Title: Bare Essence Year: 1995 Medium: Acrylic & enamel on linen, signed, titled and dated verso Size: 27 x 36 inches

Artist: Clayton J. Gorder, American (1936 - 1987) Title: Neon Bullseye Year: circa 1974 Medium: Acrylic and Airbrush on Custom Shaped Canvas, signed on label verso Size: 32.5 x 57 x ...

Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvases are the foundations of a new visual dialogue. Fisch paints with a jazz-like spontaneity, expressing personal emotions, commenting on contemporary society, and exploring old mythologies. Formulating a galaxy of the unknown, Fisch’s textural paintings flood the mind with possibility. His process is instinctive and organic, the paintings energetic and vibrant, emerging from his subconscious without judgment. They are constructed by feelings trying to find harmony. Endless figures, messages, layers, and symbols move in and out of focus as the eye explores his puzzle pieces with varied solutions. Jonas Fisch created this large colorful 93-inch tall by 67-inch wide painting with mixed media. acrylic, and oil stick on canvas. This artwork is stretched and is ready to hang. It is signed by the artist on the back of the painting. This artwork does not require framing. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery is included with the artwork, ensuring that the piece is an authentic work of art from Jonas Fisch. Born in a small fisherman's village in southern Sweden, contemporary artist Jonas Fisch discovered his love for drawing and painting at a young age and was inspired to pursue his passion by renowned artist and grandmother Ann-Marie Sjögren. Fisch reflects, “As a fundamentally introspective person, I have an explosive need to express and communicate my innermost rays, reflections, and shadows. The canvas, the brush, and the paint allow me to act out, throw up, confront, and examine those innermost feelings. Painting becomes my outlet. At a certain moment, each shape, stroke, and color suddenly takes over and the painting reveals itself. It becomes an expressive personal collaboration of art." Fisch's artworks have been exhibited across the United States, Switzerland, and Hong Kong. His paintings can be found in private collections worldwide. REPRESENTATION: Artspace Warehouse, Los Angeles Exhibitions 2018 Artspace Warehouse Los Angeles, CA 2018 New York Affordable Art...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Mario Schifano (Homs 1934 – Roma 1998), Aprile (sole di) (1988) Smalto spray su tela di cm 140 x 100 firmato, intitolato sole di e datato 1988 sul retro. L’opera risulta archiviata...

"Political Coalition (utopia of identity)" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on canvas The...

Gele is essentially a type of head tie worn by women in the Western African country of Nigeria. In contrast to the head ties worn in some other African countries, like Ghana, Gele is...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...