Clif McChesney

Clif McChesney "Untitled" Abstract Expressionist

1969

This small multicolor abstract is an exemplary work of Mexican-American artist Nora Chapa Mendoza. This vibrantly colorful landscape is oil on canvas and exhibits the cool colors that evoke images of a Mexican or American Southwest desert sunset. The painting is signed by the artist and this work comes with the metal easel that is seen displayed in the photos. Nora Mendoza...

Robert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...

Robert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

"Untitled Abstract" is by the American painter, Robert Goodnough, known for calligraphy-like markings circa 1960s. Though he was associated with the Abstract Expressionists, Goodnoug...

"Untitled" by Beverly Fishman is a silkscreen on polished stainless metal filled with bright primary colors and repetitive designs and swirls. Fishman draws on a range of artistic and conceptual influences in crafting her unique canvases, from the industrial-inspired Minimalism of artists like Donald Judd or Frank Stella to techniques taken from the fields of science and medicine. The piece is signed and dated on verso by the artist along with the provenance via a label from the Bruno David Gallery in St. Louis, Missouri stating artist's name, title, date, size and medium and date of 2/2009 when it was in the possession of the gallery. Beverly Fishman’s neon-hued geometric works utilize both shaped canvases and eye-popping forms within the picture plane. Her subjects range from stars and boxes to depictions of human heads and skulls and crossbones and include cameos by pop culturalicons like the Teenage Mutant Ninja Turtles...

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso

James Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, verso

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

Abstract expressionist work of art by Joseph Hicks. Joseph Hicks’s works are bright and colorful, full of life and creativity. His canvases are full of energy and dynamism due to t...

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...