Denise Driscoll

"Inner:Outer 6", mixed media, painting, abstract, brown, teal, blue

2013

Denise Driscoll's "Inner:Outer 5" is a 12 x 12 inch mixed media abstract painting on paper mounted on panel in brown and teal blue. Walnut ink, wax resist, and acrylic paint with iridescent details create a multilayered image contemplating the similarities between microscopic and macroscopic points of view. The painting is wired to hang, signed and titled on the reverse. The sides are unfinished birch. Denise Driscoll is a Massachusetts-based contemporary painter exploring interconnection through meditative pattern. Her work has been shown throughout New England and is collected nationally. Driscoll is a core member at Fountain Street Gallery...

Denise Driscoll's "Inner:Outer 3" is a highly textured 12 x 12 inch mixed media abstract painting on paper mounted on panel in blues and browns. Walnut ink, wax resist, and acrylic p...

Denise Driscoll's "Inner:Outer 2" is a 12 x 12 inch mixed media abstract painting on paper mounted on panel in brown and white. Walnut ink, wax resist, and acrylic paint with iridesc...

Denise Driscoll's "Inner:Outer 1" is a 12 x 12 inch abstract mixed media painting on paper mounted on panel in blues and browns. Walnut ink, wax resist, and acrylic paint with iridescent details create a multilayered image contemplating the similarities between microscopic and macroscopic points of view. The painting is wired to hang, signed and titled on the reverse. The sides are unfinished birch. Denise Driscoll is a Massachusetts-based contemporary painter exploring interconnection through meditative pattern. Her work has been shown throughout New England and is collected nationally. Driscoll is a core member at Fountain Street Gallery...

Denise Driscoll’s “Confluence 1” is a 30 x 30 inch abstract painting hundreds of small overlapping ovals that are broken into slivers of highly saturated color including orange, blue and green. The surface is a velvety matte, with background and sides a matte black. The painting is titled and signed on the reverse. Denise Driscoll’s paintings begin with the premise that all living things—plants, animals and humans—are connected in an intricate mesh of simultaneous centers of lived experience. Often, her paintings have no focal point. Instead, clusters of ovals and perforated shapes entwine and melt into each other within ambiguous boundaries. Each canvas becomes an imaginary map...

Denise Driscoll’s “Confluence 1” is a 30 x 30 inch abstract painting hundreds of small overlapping ovals that are broken into slivers of highly saturated color including orange, blue and green. The surface is a velvety matte, with background and sides a matte black. The painting is titled and signed on the reverse. Denise Driscoll’s paintings begin with the premise that all living things—plants, animals and humans—are connected in an intricate mesh of simultaneous centers of lived experience. Often, her paintings have no focal point. Instead, clusters of ovals and perforated shapes entwine and melt into each other within ambiguous boundaries. Each canvas becomes an imaginary map...

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

Harris's overlaying of shapes, colors, and patterns creates a stunning abstract work suitable for any home or space. Yellows, oranges, and blues move rhythmically across the composit...

This piece by Harris features four original hand-cut ink paintings on paper and acrylic media on four wood panels. Harris's bands of racing abstract color offer an innate sense of rh...

Harris's mastery of color and abstraction make this piece a stunning addition to any home or space. Her use of salmon pink alongside hues of blue and yellow create a compelling compo...